{"id":1163,"date":"2024-05-28T17:52:37","date_gmt":"2024-05-28T15:52:37","guid":{"rendered":"https:\/\/www.abk-stuttgart.de\/person\/cristina-gomez-barrio-2\/"},"modified":"2024-09-17T12:33:53","modified_gmt":"2024-09-17T10:33:53","slug":"cristina-gomez-barrio-2","status":"publish","type":"person","link":"https:\/\/www.abk-stuttgart.de\/en\/person\/cristina-gomez-barrio-2\/","title":{"rendered":"Prof. Dr. Cristina G\u00f3mez Barrio"},"content":{"rendered":"\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h3>Brief Vita<\/h3>    <\/summary>\n    \n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<p class=\"vita\"><span class=\"year\">seit 2017<\/span><span class=\"text\">\nProfessorin im Masterstudiengang K&ouml;rper, Theorie und Poetik des Performativen (KTPP) in der Fachgruppe Kunst an der Staatlichen Akademie der Bildenden K&uuml;nste Stuttgart<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2013<\/span><span class=\"text\">\nFundacion Estrenos Foundation Grant (E)<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">seit 2011<\/span><span class=\"text\">\nProfessorin im Verbreiterungsfach Bildende Kunst\/Intermediales Gestalten (IMG) in der Fachgruppe Kunst an der Staatlichen Akademie der Bildenden K&uuml;nste Stuttgart<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2005&ndash;2006<\/span><span class=\"text\">\nWhitney Independent Study Program, New York (USA)<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2005<\/span><span class=\"text\">\nStipendium bei der Fundaci&oacute;n Marcelino Bot&iacute;n (E)<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2003<\/span><span class=\"text\">\nInternational Studio and Curatorial Program (ISCP), New York (USA) (gef&ouml;rdert durch INJUVE, (E))<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">1998&ndash;1999<\/span><span class=\"text\">\nDAAD-Caixa, Stipendium an der Akademie der Bildenden K&uuml;nste M&uuml;nchen<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">1998<\/span><span class=\"text\">\nGr&uuml;ndung von DISCOTECA FLAMING STAR zusammen mit Wolfgang Mayer<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">1997&ndash;2002<\/span><span class=\"text\">\nPromotion. Departamento de Historia del Arte. Facultad de Bellas Artes. Universidad Complutense, Madrid (E)<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">1991&ndash;1996<\/span><span class=\"text\">\nStudium an der Kunstfakult&auml;t. Facultad de Bellas Artes. Universidad Complutense, Madrid (E)<\/span><\/p>\n\n        <\/div>\n    <\/div>\n\n\n<\/details>\n\n\n\n<details class=\"block-bundle collapse-section collapsed\">\n    <summary class=\"block block-subsection-title\">\n        <h3>Performances (selection)<\/h3>    <\/summary>\n    \n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<p class=\"vita\"><span class=\"year\">2018<\/span><span class=\"text\">\nNever Memorize Poems in Landscape Leeway (Constanze Fischbeck, Abraham Oghobase, DFS und Donna Ogunnaike), SAVVY Contemporary, Berlin<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2018<\/span><span class=\"text\">\n2061 Inmoral Lidos. DFS \/ Synsmaskinen Dark Pool Crisis art group, The Performance Project, New York City (USA)<\/span><\/p>\n<p>2061 Inmoral Lidos. A Novel and a Performance by DFS \/ Synsmaskinen Dark Pool Crisis art group, Gr&uuml;ner Salon, Berlin<\/p>\n<p class=\"vita\"><span class=\"year\">2017<\/span><span class=\"text\">\nLove Any Out of (90 Seconds) End, Teatro Del Barrio, Madrid (ES)<\/span><\/p>\n<p>2061 Inmoral Lidos. DFS \/ Synsmaskinen Dark Pool Crisis art group, Finish Research Pavillion, Venedig (IT)<\/p>\n<p>Sticky Stage, District, Berlin<\/p>\n<p>Love Any Out of (90 Seconds) End, Projektraum Lotte, Land of Temporary Eternity, Stuttgart<\/p>\n<p>Hate Verses, Arthur-Boskamp-Stiftung, Hohenlockstedt<\/p>\n<p class=\"vita\"><span class=\"year\">2016<\/span><span class=\"text\">\nHate Verses, Friends with Books, Hamburger Bahnhof, Berlin<\/span><\/p>\n<p>Sticky Stage als Teil von Putting Rehearsals to the Test, SBC Gallery, Montreal (CA)<\/p>\n<p>#work #dance # labor #movements. Discoteca Flaming Star +&nbsp;Johanna Bruckner, Corner College, Z&uuml;rich&nbsp;(CH)<\/p>\n<p>Sticky Stage in der Installation Arena von Rita McBride, Kunsthalle D&uuml;sseldorf (AT)<\/p>\n<p class=\"vita\"><span class=\"year\">2015<\/span><span class=\"text\">\nHate Verses, TBA21, Wien<\/span><\/p>\n<p>Eigentlich 12x Alissa, Kunstmuseum Stuttgart<\/p>\n<p>Hate Verses, CA2M, Mostoles, Madrid (E)<\/p>\n<p>Sticky Stage 4, Kunstmuseum Stuttgart<\/p>\n<p class=\"vita\"><span class=\"year\">2014<\/span><span class=\"text\">\nA fragment of Sticky Stage, Altes Finanzamt, Berlin<\/span><\/p>\n<p>Wright of Derby + Looschen of Berlin (Dierk Schmidt &amp; DFS), After the Butcher, Berlin<\/p>\n<p>The Rehearsal, The Kitchen, New York<\/p>\n<p>Not Gentileza &amp; Not Discoteca Flaming Star, Sofia Underground, Sofia (BG)<\/p>\n<p class=\"vita\"><span class=\"year\">2013<\/span><span class=\"text\">\nOpen Scenario for Future, K&uuml;nstlerhaus Stuttgart<\/span><\/p>\n<p>Eigentlich 12x Alissa &rdquo; at KUB Arena, Kunsthaus Bregenz (AT)<\/p>\n<p>Testing (Re-)Production, Muzeum Sztuki in Lodz (PL)<\/p>\n<p class=\"vita\"><span class=\"year\">2012<\/span><span class=\"text\">\nVarious Stages &ndash; Bedingte B&uuml;hnen, Kunsthaus Dresden<\/span><\/p>\n<p>Demonstrationen. Vom Werden normativer Ordnungen, Kunstverein Frankfurt<\/p>\n<p class=\"vita\"><span class=\"year\">2011<\/span><span class=\"text\">\nLa Mano Gigante (A Musical), &Auml;sthetik des Fleisches, Heusteigtheater, Stuttgart<\/span><\/p>\n<p>Zeig Her, F&uuml;hr Vor, Tausch Ein by &amp; with DFS &amp; JP Raether, Basso &amp; General Public, Berlin<\/p>\n<p>Eigentlich 12 mal Alissa, Basso at HAU 1, Berlin<\/p>\n<p class=\"vita\"><span class=\"year\">2010<\/span><span class=\"text\">\nJaccouzi of Muddy Tears, im Rahmen von &bdquo;&Uuml;ber Wut&ldquo;, Haus der Kulturen der Welt, Berlin<\/span><\/p>\n<p>Salle des Fetes, Electron Festival, Batiment d&rsquo;art contemporain, Genf (CH)<\/p>\n<p class=\"vita\"><span class=\"year\">2009<\/span><span class=\"text\">\nIngrid (Inzwischen) 2009, The Performance Project, NYC (USA), [Performa 09]<\/span><\/p>\n<p>P P Piero und was dazwischen, MACBA, Barcelona, (E)<\/p>\n<p>Seen, Unseen, Scene, Passerelle, Brest (F)<\/p>\n<p>Reihe: Ordnung sagt Freiheit, Kunstverein Harburger Bahnhof, Hamburg<\/p>\n<p class=\"vita\"><span class=\"year\">2008<\/span><span class=\"text\">\nDuett #2 mit Ingrid und dem Squonk, Kunsthalle Bern (CH)<\/span><\/p>\n<p>A 1000 Squonks &amp; the Erotics of the Eyelid, The Performance Project, NYC (USA)<\/p>\n<p>Mil Veras Mil Prinzessinen Mil Centralias, Centro de arte dos de mayo, Museum f&uuml;r zeitgen&ouml;ssische Kunst,&nbsp;Mostoles, Madrid (E)<\/p>\n<p>Retriver. Kuratiert von Dani Gal &amp; Achim Lengerer, Smart project space, Amsterdam (NL)<\/p>\n<p>Pop! goes the weasel. Badischer Kunstverein, Karlsruhe<\/p>\n<p>Palace by The John Institute, Cinema Palace, St.Gallen (CH)<\/p>\n<p class=\"vita\"><span class=\"year\">2007<\/span><span class=\"text\">\nEllipses (Electric Birdhouse), Tate Modern, The World as a Stage, Arena by Rita McBride, London (GB)<\/span><\/p>\n<p>Lost &amp; Found, Collective Gallery \/ Filmhouse, Edinburgh (GB)<\/p>\n<p>Periferiak 07, Sala Rekalde + Amatau TV, Bilbao, (E)<\/p>\n<p>Duett #1, Museum X, Museum Abteiberg, M&ouml;nchengladbach<\/p>\n<p>Anitavirginiaalfombras. Freymond-Guth, Z&uuml;rich (CH)<\/p>\n<p>MutterReGina. Zusammen mit Rita McBride. Whitney Museum of American Art, New York (USA)<\/p>\n<p class=\"vita\"><span class=\"year\">2006<\/span><span class=\"text\">\nLetzteres aus Neu Jork. General Public, Berlin<\/span><\/p>\n<p>Terraplane Blues. Kuratiert von Kamen Nedev. La Casa Encendida, Madrid (E)<\/p>\n<p>Aladlona 2 (I love you green). The Kitchen, New York (USA)<\/p>\n<p class=\"vita\"><span class=\"year\">2005<\/span><span class=\"text\">\nWith all our love for the love of Orlando. Artist Space, New York (USA) (partnerschaftlich mit Performa 05)<\/span><\/p>\n<p>With all our love for the love of Orlando. Ausland, Berlin<\/p>\n<p>Love Party. Ojo Atomico, Madrid (E)<\/p>\n<p class=\"vita\"><span class=\"year\">2004<\/span><span class=\"text\">\nDiscoteca Guitarrera Funkstorm (DFS + El Arroyo Los Cagaos), Plaza del Pueblo, Viandar de la Vera<\/span><\/p>\n<p>Aladlona (I love you green). Ausland, Berlin<\/p>\n<p>o.T. Big Eden, Berlin<\/p>\n<p>Sexy Bloody Cat (I hope everything you love dies in your arms). Galerie Wieland, Berlin<\/p>\n<p class=\"vita\"><span class=\"year\">2003<\/span><span class=\"text\">\nSexy Bloody Cat anl&auml;sslich&bdquo;Public Affairs&ldquo;. MUMOK, Wien (A)<\/span><\/p>\n<p>AACB\/BDAC. Parlour Projects, New York (USA)<\/p>\n<p>Hardcore Karaoke. Atelier Rita McBride &amp; Glen Rubsamen, K&ouml;ln<\/p>\n<p class=\"vita\"><span class=\"year\">2002<\/span><span class=\"text\">\nDFS plays Kenneth Anger. Praterinsel, M&uuml;nchen<\/span><\/p>\n<p>o.T. Cheap Club, Berlin<\/p>\n<p>K&ouml;nigreich eine andere Welt zusammen mit Dorothy Vallens. Opernpalais, Berlin<\/p>\n<p>o.T. (about Rock&iacute;n Roll) zusammen mit CIB. Circo Interior Brutto, Madrid (E)<\/p>\n<p>o.T. bei Stardust Deluxe. Lisa Lounge, Berlin<\/p>\n<p class=\"vita\"><span class=\"year\">2001<\/span><span class=\"text\">\nRoses and Paradise. Kunsthall, Oslo (NO)<\/span><\/p>\n<p>Discoteca Flaming Star &amp; Ignaz Schick. Take a look at me now. Galerie Wieland, Berlin<\/p>\n<p>Songs of love and hate. Side A. Bastard, Berlin<\/p>\n<p>55. De Sade &ndash; Lesung. Juliettes Literatursalon, Berlin<\/p>\n<p>The Bridal Kiss. Atelier von Tom Fr&uuml;chtl, M&uuml;nchen<\/p>\n<p class=\"vita\"><span class=\"year\">2000<\/span><span class=\"text\">\nDiscoteca Flaming Star plays Kenneth Anger. Siberia, New York (USA)<\/span><\/p>\n<p>Discoteca Flaming Star loves to love you baby. Bar XVI, New York (USA)<\/p>\n<p>Discoteca Flaming Star plays Kenneth Anger in &bdquo;Arena seatings&ldquo; by Rita McBride,&nbsp;Neuer Aachener Kunstverein, Aachen<\/p>\n<p>Discoteca Flaming Star does Electric R&rsquo;NR. Club 2, M&uuml;nchen<\/p>\n<p>Discoteca Flaming Star &amp; Le Oktobre love to love you baby. Kunstverein, M&uuml;nchen<\/p>\n<p class=\"vita\"><span class=\"year\">1999<\/span><span class=\"text\">\nFlaming Star at Band Wi(d)th 2000. Atomic Caf&egrave;, M&uuml;nchen<\/span><\/p>\n<p>Unter Umst&auml;nden mit Frank Reinecke und Helge Slaatto. Atelier von Olaf Probst, M&uuml;nchen<\/p>\n<p>Forget Me Not #3. Bourbon Street Bar, M&uuml;nchen<\/p>\n<p class=\"vita\"><span class=\"year\">1998<\/span><span class=\"text\">\no.T. Schalterhalle, Elektro Festival. Schalterhalle, Ulm<\/span><\/p>\n\n        <\/div>\n    <\/div>\n\n\n<\/details>\n\n\n\n<details class=\"block-bundle collapse-section collapsed\">\n    <summary class=\"block block-subsection-title\">\n        <h3>Exhibitions (selection)<\/h3>    <\/summary>\n    \n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<p class=\"vita\"><span class=\"year\">2018<\/span><span class=\"text\">\nNever Memorize Poems in Landscape Leeway (Constanze Fischbeck, Abraham Oghobase, DFS und Donna Ogunnaike), Galerie Nord\/Kunstverein Tiergarten, Berlin<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2017<\/span><span class=\"text\">\nSticky Stage, District, Berlin<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2016<\/span><span class=\"text\">\nSticky Stage als Teil von Putting Rehearsals to the Test, SBC Gallery, Montreal (CA)<\/span><\/p>\n<p>#work #dance # labor #movements. Discoteca Flaming Star +&nbsp;Johanna Bruckner, Corner College, Z&uuml;rich&nbsp;(CH)<\/p>\n<p class=\"vita\"><span class=\"year\">2015<\/span><span class=\"text\">\nSticky Stage 4, Kunstmuseum Stuttgart<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2014<\/span><span class=\"text\">\nA fragment of Sticky Stage, Altes Finanzamt, Berlin<\/span><\/p>\n<p>Wright of Derby + Looschen of Berlin (Dierk Schmidt &amp; DFS), After the Butcher, Berlin<\/p>\n<p>The Rehearsal, The Kitchen, New York (USA)<\/p>\n<p>Das stille Leben des Sammlers Kempinski, Exile, Berlin<\/p>\n<p class=\"vita\"><span class=\"year\">2013<\/span><span class=\"text\">\nOpen Scenario for Future, K&uuml;nstlerhaus Stuttgart<\/span><\/p>\n<p>Intoleranz \/ Normalit&auml;t, What, How and For Whom, Zagreb (HR)<\/p>\n<p>No Place To Hide &ndash; Ort Kontrolle Produktion, Agentur f&uuml;r Arbeit und Regionaldirektion der Bundesagentur f&uuml;r Arbeit, Stuttgart<\/p>\n<p class=\"vita\"><span class=\"year\">2012<\/span><span class=\"text\">\nPop Politics: Activisms at 33 revolutions, Centro de Arte 2 de Mayo, Mostoles, Madrid (ES)<\/span><\/p>\n<p>Say it loud, District, Berlin<\/p>\n<p>Intoleranz \/ Normalit&auml;t, Grazer Kunstverein (AT)<\/p>\n<p>Various Stages &ndash; Bedingte B&uuml;hnen, Kunsthaus Dresden<\/p>\n<p>Topsyturvy &ndash; Celebrating another World, De Appel, Amsterdam (NL)<\/p>\n<p>Herstory Inventory 100 feministische Zeichnungen von 100 K&uuml;nstlerinnen, Kunsthaus Bregenz (AT)<\/p>\n<p>La Mano Gigante (A Musical), Freymond-Guth, Z&uuml;rich (CH)<\/p>\n<p>Demonstrationen. Vom Werden normativer Ordnungen, Kunstverein Frankfurt<\/p>\n<p class=\"vita\"><span class=\"year\">2011<\/span><span class=\"text\">\nFlamboyant Body, Arcade, London (GB)<\/span><\/p>\n<p>Zeig Her, F&uuml;hr Vor, Tausch Ein by &amp; with DFS &amp; JP Raether, Basso &amp; General Public, Berlin<\/p>\n<p>La Mano Gigante (A Musical), Galerie September, Berlin<\/p>\n<p>DFS + Michael Schultze, Der Strich, Berlin<\/p>\n<p>La Chancon, CAAC, Seville (ES)<\/p>\n<p>Banner Study for an Agora, Temporary Kunst am Bau Project, District Stiftung, Berlin<\/p>\n<p class=\"vita\"><span class=\"year\">2010<\/span><span class=\"text\">\nEl Valor de gallo negro (Buthe-Turm-B&ouml;rse), Teil 2 von Gruppenbild, n.b.k., Berlin<\/span><\/p>\n<p>Salle des Fetes, Electron Festival, Batiment d&rsquo;art contemporain, Genf (CH)<\/p>\n<p>V&auml;lparaiso Intervernciones, Espacio G, Valparaiso (CL)<\/p>\n<p class=\"vita\"><span class=\"year\">2009<\/span><span class=\"text\">\nF&uuml;r Boris F&uuml;r Ingrid, Freymond-Guth, Z&uuml;rich (CH)<\/span><\/p>\n<p>Seen, Unseen, Scene, Passerelle, Brest (F)<\/p>\n<p>Ingrid (Inzwischen), Samsa, Berlin<\/p>\n<p>Reihe: Ordnung sagt Freiheit, Kunstverein Harburger Bahnhof, Hamburg<\/p>\n<p>Mil Veras Mil Prinzessinen Mil Centralias, Centro de arte dos de mayo, Museum f&uuml;r zeitgen&ouml;ssische Kunst,&nbsp;Mostoles, Madrid (E)<\/p>\n<p class=\"vita\"><span class=\"year\">2008<\/span><span class=\"text\">\nFernando 2, Hermes und der Pfau, Stuttgart<\/span><\/p>\n<p>Pop! goes the weasel. Badischer Kunstverein, Karlsruhe<\/p>\n<p>Palace by The John Institute, Cinema Palace, St.Gallen (CH)<\/p>\n<p>1,2,3&hellip;Avantgardes, Sala Rekalde, Bilbao, (E)<\/p>\n<p class=\"vita\"><span class=\"year\">2007<\/span><span class=\"text\">\nPeriferiak 07, Sala Rekalde + Amatau TV, Bilbao, (E)<\/span><\/p>\n<p>Lost &amp; Found, Shedhalle, Z&uuml;rich (CH)<\/p>\n<p>Anitavirginiaalfombras. Freymond-Guth, Z&uuml;rich (CH)<\/p>\n<p>Fernando. Madrid Abierto 07, Projekte im &ouml;ffentlichen Raum, Madrid (E)<\/p>\n<p class=\"vita\"><span class=\"year\">2006<\/span><span class=\"text\">\nLetzteres aus Neu Jork. General Public, Berlin<\/span><\/p>\n<p>Terraplane Blues. Kuratiert von Kamen Nedev. La Casa Encendida, Madrid (E)<\/p>\n<p>What a Great Space You Have&hellip;. Kuratiert von Marc Gl&ouml;de. Luxe Gallery, New York (USA)<\/p>\n<p>Whitney Independent Study Program-Exhibition. Chelsea Museum, New York (USA)<\/p>\n<p>&Agrave; Rebours. Escapism and the Terror of the Sublime. Kuratiert von Michael Schultze. General Public, Berlin<\/p>\n<p class=\"vita\"><span class=\"year\">2005<\/span><span class=\"text\">\n&bdquo;I beg your pardon.&ldquo; or The Reestablishing of Cordial Relations. Kuratiert von Andrea Geyer. Vera List Center for Art and Politics at The New School, New York (USA)<\/span><\/p>\n<p>Videoarte contempor&aacute;neo de Berlin. Kuratiert von Kathrin Becker. Museo Tamayo, Mexico-City (MX)<\/p>\n<p class=\"vita\"><span class=\"year\">2004<\/span><span class=\"text\">\nDance Dance Revolution!. Kuratiert von Matthew Lyons &amp; Lanka Tattersall. Leroy Neiman Gallery, Columbia University, New York (USA)<\/span><\/p>\n<p>Audiovisual injuve 2003. Sala Amadis, Madrid (E)<\/p>\n<p>Sexy Bloody Cat (I hope everything you love dies in your arms). Galerie Wieland, Berlin<\/p>\n<p class=\"vita\"><span class=\"year\">2003<\/span><span class=\"text\">\nAACB\/BDAC. Parlour Projects, New York (USA)<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2001<\/span><span class=\"text\">\nWaveform: Teresa Seemann &amp; David Galbraith, Media Z Lounge at New Museum of&nbsp;Contemporary Art, New York (USA)<\/span><\/p>\n<p>Discoteca Flaming Star &amp; Ignaz Schick. Take a look at me now. Galerie Wieland, Berlin<\/p>\n\n        <\/div>\n    <\/div>\n\n\n<\/details>\n\n\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h3>Other (selection)<\/h3>    <\/summary>\n    \n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<p class=\"vita\"><span class=\"year\">2004<\/span><span class=\"text\">\nSexy Bloody Cat. CD. Monsters &amp; Miracles Musikproduktionen<\/span><\/p>\n<p>Discoteca Guitarrera Funkstorm (DFS + El Arroyo Los Cagaos), Plaza del Pueblo, Viandar de la Vera<\/p>\n<p class=\"vita\"><span class=\"year\">2003<\/span><span class=\"text\">\nRadio Radio. Ausstellung. Radioprogramm. Kuratiert v. Mel Brimfield (CD erschienen im Revolver Verlag)<\/span><\/p>\n<p>Crossing The Line, Cruel but Fair &ndash; Soundtrack f&uuml;r die Installation &bdquo;Waikiki&ldquo; von Rita McBride<\/p>\n<p class=\"vita\"><span class=\"year\">2001<\/span><span class=\"text\">\nQueens Museum, New York (USA)<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2000<\/span><span class=\"text\">\nLove &amp; Avantgarde. CD. White Label<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">1999<\/span><span class=\"text\">\nFlaming Star at Band Wi(d)th 2000. Atomic Caf&egrave;, M&uuml;nchen<\/span><\/p>\n\n        <\/div>\n    <\/div>\n\n\n<\/details>\n\n\n\n<details class=\"block-bundle collapse-section collapsed\">\n    <summary class=\"block block-subsection-title\">\n        <h3>Publications \/ Catalogues (selection)<\/h3>    <\/summary>\n    \n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<p class=\"vita\"><span class=\"year\">2019<\/span><span class=\"text\">\nAuguries for a Non-Hierarchical Framing and Flourishing. Stuttgart: Staatliche Akademie der Bildenden K&uuml;nste Stuttgart and Die Frau mit 50 F&uuml;ssen<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2019<\/span><span class=\"text\">\nSticky Stage. A Book as Evidence &amp; Script for Future Performances. Paolo Caffoni and Suza Husse (ed.). Berlin: Archive Books<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2018<\/span><span class=\"text\">\nIngrid (2003 &ndash; so far). Bibliographical Notes and Diary. Berlin: Friends with Books: Art Book Fair. Hamburger Bahnhof &ndash; Museum f&uuml;r Gegenwart<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2018<\/span><span class=\"text\">\n2061 INMORAL LIDOS. Copenhagen: Space Poetry (DK)<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2017<\/span><span class=\"text\">\nAl Haggara. The Filming of Stones, the Computing of Film. A Conversation between Robert M. Ochshorn and Teresa Solar. Stuttgart: Staatliche Akademie der Bildenden K&uuml;nste Stuttgart and Die Frau mit 50 F&uuml;ssen<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2015<\/span><span class=\"text\">\nDiscoteca Flaming Star. Kubus. Sparda-Kunstpreis im Kunstmuseum Stuttgart. K&ouml;ln: Wienand Verlag.<\/span><\/p>\n<p>Strange Teaching &ndash; Monads with Windows An extra-curriculum extravaganza. Stuttgart: Staatliche Akademie der Bildenden K&uuml;nste Stuttgart<\/p>\n<p class=\"vita\"><span class=\"year\">2014<\/span><span class=\"text\">\nThe Coming of Age. Stuttgart: Staatliche Akademie der Bildende K&uuml;nste Stuttgart and Die Frau mit 50 F&uuml;ssen<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2011<\/span><span class=\"text\">\nLa Mano Gigante (A Musical) a film installation of a memory turned into flesh 2011-&nbsp; Libretto Gedicht &ndash; Ein Zeitverlauf in 3 Teilen. Innocence &amp; mystery publications<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2010<\/span><span class=\"text\">\nJaccouzi of Muddy Tears, im Rahmen von &bdquo;&Uuml;ber Wut&ldquo; , Haus der Kulturen der Welt, Berlin<\/span><\/p>\n<p>El Valor de gallo negro (Buthe-Turm-B&ouml;rse), Teil 2 von Gruppenbild, n.b.k., Berlin<\/p>\n<p>V&auml;lparaiso Intervernciones, Espacio G, Valparaiso, (CL)<\/p>\n<p class=\"vita\"><span class=\"year\">2009<\/span><span class=\"text\">\nReihe: Ordnung sagt Freiheit, Kunstverein Harburger Bahnhof, Hamburg<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2008<\/span><span class=\"text\">\nMil Veras Mil Prinzessinen Mil Centralias, Centro de arte dos de mayo, Museum f&uuml;r zeitgen&ouml;ssische Kunst,&nbsp;Mostoles, Madrid (E)<\/span><\/p>\n<p>1,2,3&hellip;Avantgardes, Sala Rekalde, Bilbao (E)<\/p>\n<p class=\"vita\"><span class=\"year\">2006<\/span><span class=\"text\">\nTerraplane Blues. Kuratiert von Kamen Nedev. La Casa Encendida, Madrid (E)<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2005<\/span><span class=\"text\">\nWith all our love for the love of Orlando. Artist Space, New York (USA) [partnerschaftlich mit Performa 05]<\/span><\/p>\n<p class=\"vita\"><span class=\"year\">2004<\/span><span class=\"text\">\nAudiovisual injuve 2003. Sala Amadis, Madrid (E)<\/span><\/p>\n\n        <\/div>\n    <\/div>\n\n\n<\/details>\n","protected":false},"author":6,"featured_media":0,"template":"","meta":{"_acf_changed":true},"faculty":[13],"function":[],"committee":[],"location":[55],"position":[],"class_list":["post-1163","person","type-person","status-publish","hentry","faculty-kunst-kuenstlerisches-lehramt","location-aussenstelle-mozartstrasse"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/person\/1163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/person"}],"about":[{"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/types\/person"}],"author":[{"embeddable":true,"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/users\/6"}],"wp:attachment":[{"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/media?parent=1163"}],"wp:term":[{"taxonomy":"faculty","embeddable":true,"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/faculty?post=1163"},{"taxonomy":"function","embeddable":true,"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/function?post=1163"},{"taxonomy":"committee","embeddable":true,"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/committee?post=1163"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/location?post=1163"},{"taxonomy":"position","embeddable":true,"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/position?post=1163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}