{"id":44867,"date":"2024-05-22T19:42:12","date_gmt":"2024-05-22T17:42:12","guid":{"rendered":"https:\/\/www.abk-stuttgart.de\/programmes\/painting-and-sculpture-conservation\/"},"modified":"2026-10-09T04:17:11","modified_gmt":"2026-10-09T02:17:11","slug":"painting-and-sculpture-conservation","status":"publish","type":"programme","link":"https:\/\/www.abk-stuttgart.de\/en\/programmes\/painting-and-sculpture-conservation\/","title":{"rendered":"Painting and sculpture conservation"},"content":{"rendered":"\n<div class=\"block block-gallery size--big\" data-count=\"5\">\n\n    <div class=\"slider js-slick\">\n        \n            \n            \n                \n                <div class=\"slider__slide width--full fit--cover type--image\"  style=\"background-color:#ffffff\" >\n                    \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1.5001464986815\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC8958_01-320x213.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC8958_01-2048x1365.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC8958_01-1600x1067.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC8958_01-1440x960.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC8958_01-1024x683.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC8958_01.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC8958_01.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC8958_01-320x213.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC8958_01.jpg\"\n        alt=\"Test Alt\"\n        data-ratio=\"1.5001464986815\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n    \n\n<div class=\"mediainfo\" data-id=\"image-3711\">\n    <button class=\"btn btn--circle btn-mediainfoclose\" aria-label=\"Close media info\"><span>&times;<\/span><\/button>\n    <div 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src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC9425_02-320x213.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC9425_02-2048x1365.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC9425_02-1600x1067.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC9425_02-1440x960.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC9425_02-1024x683.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC9425_02.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC9425_02.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC9425_02-320x213.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC9425_02.jpg\"\n        alt=\"\"\n        data-ratio=\"1.5001464986815\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n    \n\n<div class=\"mediainfo\" data-id=\"image-3713\">\n    <button class=\"btn btn--circle btn-mediainfoclose\" aria-label=\"Close media info\"><span>&times;<\/span><\/button>\n    <div class=\"mediainfo--innerwrapper\">\n     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data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC7975_03-320x213.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC7975_03-2048x1365.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC7975_03-1600x1067.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC7975_03-1440x960.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC7975_03-1024x683.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC7975_03.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC7975_03.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC7975_03-320x213.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC7975_03.jpg\"\n        alt=\"\"\n        data-ratio=\"1.5001464986815\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n    \n\n<div class=\"mediainfo\" data-id=\"image-3715\">\n    <button class=\"btn btn--circle btn-mediainfoclose\" aria-label=\"Close media info\"><span>&times;<\/span><\/button>\n    <div class=\"mediainfo--innerwrapper\">\n        <div class=\"mediainfo--inner\">\n            <div class=\"mediainfo--content\">\n\n                <div class=\"preview\">No Preview<\/div>\n\n                \n                                                            \n                            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n    \n\n    <div class=\"media-interface\">\n\n        <button class=\"btn btn--circle btn-mediainfo\" data-id=\"image-3715\" aria-label=\"Open media info\"><span>i<\/span><\/button>\n\n        \n    <\/div>\n\n                <\/div>\n            \n        \n            \n            \n                \n                <div class=\"slider__slide width--full fit--cover type--image\"  style=\"background-color:#ffffff\" >\n                    \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1.4997070884593\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC83071_04-320x213.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC83071_04-2048x1366.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC83071_04-1600x1067.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC83071_04-1440x960.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC83071_04-1024x683.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC83071_04.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC83071_04.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC83071_04-320x213.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC83071_04.jpg\"\n        alt=\"\"\n        data-ratio=\"1.4997070884593\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n    \n\n<div class=\"mediainfo\" data-id=\"image-3717\">\n    <button class=\"btn btn--circle btn-mediainfoclose\" aria-label=\"Close media info\"><span>&times;<\/span><\/button>\n    <div class=\"mediainfo--innerwrapper\">\n        <div class=\"mediainfo--inner\">\n            <div class=\"mediainfo--content\">\n\n                <div class=\"preview\">No Preview<\/div>\n\n                \n                                                            \n                            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n    \n\n    <div class=\"media-interface\">\n\n        <button class=\"btn btn--circle btn-mediainfo\" data-id=\"image-3717\" aria-label=\"Open media info\"><span>i<\/span><\/button>\n\n        \n    <\/div>\n\n                <\/div>\n            \n        \n            \n            \n                \n                <div class=\"slider__slide width--full fit--cover type--image\"  style=\"background-color:#ffffff\" >\n                    \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1.5001464986815\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC7395_05-320x213.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC7395_05-2048x1365.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC7395_05-1600x1067.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC7395_05-1440x960.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC7395_05-1024x683.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC7395_05.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC7395_05.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC7395_05-320x213.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/KonsRest_Gemaelde-und-Skulpturenrestaurierung_Elia_Schmid_DSC7395_05.jpg\"\n        alt=\"\"\n        data-ratio=\"1.5001464986815\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n    \n\n<div class=\"mediainfo\" data-id=\"image-3719\">\n    <button class=\"btn btn--circle btn-mediainfoclose\" aria-label=\"Close media info\"><span>&times;<\/span><\/button>\n    <div class=\"mediainfo--innerwrapper\">\n        <div class=\"mediainfo--inner\">\n            <div class=\"mediainfo--content\">\n\n                <div class=\"preview\">No Preview<\/div>\n\n                \n                                                            \n                            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n    \n\n    <div class=\"media-interface\">\n\n        <button class=\"btn btn--circle btn-mediainfo\" data-id=\"image-3719\" aria-label=\"Open media info\"><span>i<\/span><\/button>\n\n        \n    <\/div>\n\n                <\/div>\n            \n            <\/div>\n    <button class=\"slider__button slider__button--prev keyboard-navigation-only\" aria-label=\"Previous slide\"><\/button>\n    <button class=\"slider__button slider__button--next keyboard-navigation-only\" aria-label=\"Next slide\"><\/button>\n<\/div>\n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<p>The focus of the degree programme in the Conservation and Restoration of Paintings and Polychrome Sculptures lies in the examination, conservation and restoration of easel paintings on various supports, as well as polychrome sculptures, with works ranging from early medieval to contemporary art being studied. A distinctive feature of the programme is the combination of painting and sculpture restoration. This proves particularly valuable in the case of, amongst other things, medieval altarpieces and church furnishings.  <\/p>\n<p>Close collaboration with the other restoration degree programmes at the ABK and cooperation with the Archaeometry Laboratory provide the ideal framework for students&rsquo; interdisciplinary projects. Furthermore, through interdisciplinary modules, students also gain an insight into the working methods of the other disciplines at the ABK Stuttgart (Fine Art, Design and Architecture). <\/p>\n<p>The degree programme is one of the first of its kind in Germany and was established as early as 1977. It has excellent national and international networks and maintains numerous links with museums, heritage conservation organisations and private partners. <\/p>\n\n        <\/div>\n    <\/div>\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h3>Course projects<\/h3>    <\/summary>\n    \n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h4>Projects within the degree programme<\/h4>    <\/summary>\n    \n\n<div class=\"teaser-list studies-list\">\n\n    \n        \n        <div class=\"block block-teaser block-card studies has-image block-link\">\n\n                            <a href=\"https:\/\/www.abk-stuttgart.de\/forschung\/konservierung-und-restaurierung-von-kulturgut\/bluetezeit\/\" title=\"\" target=\"_self\" class=\"block-link__link\" aria-label=\"Bl\u00fctezeit?!\"><\/a>\n            \n            <div class=\"area image\">\n                \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Bluetezeit-2-320x320.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Bluetezeit-2.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Bluetezeit-2.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Bluetezeit-2.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Bluetezeit-2.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Bluetezeit-2.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Bluetezeit-2-320x320.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Bluetezeit-2-320x320.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Bluetezeit-2.jpg\"\n        alt=\"\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n            <\/div>\n\n            <div class=\"area text\">\n                                    <div class=\"title\">\n                        <span>Bl\u00fctezeit?!<\/span>\n                    <\/div>\n                                                    <div class=\"subhead bottom\">\n                        <span>What happens to Enno\u2019s roses?<\/span>\n                    <\/div>\n                                \n            <\/div>\n\n            \n        <\/div>\n\n    \n        \n        <div class=\"block block-teaser block-card studies has-image block-link\">\n\n                            <a href=\"https:\/\/www.abk-stuttgart.de\/forschung\/konservierung-und-restaurierung-von-kulturgut\/roentgenanalyse-von-gemaelden-mit-lineartechnik-unterstuetzung-eine-neue-untersuchungsstaffelei-fuer-den-studiengang\/\" title=\"https:\/\/blog.item24.com\/automatisierte-produktion\/roentgenanalyse-von-kunst-mit-lineartechnik-unterstuetzung\/\" target=\"_self\" class=\"block-link__link\" aria-label=\"X-ray analysis of paintings using linear techniques \u2013 a new range of investigative methods for the degree programme\"><\/a>\n            \n            <div class=\"area image\">\n                \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_gemalderestaurierung-3-320x320.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_gemalderestaurierung-3.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_gemalderestaurierung-3.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_gemalderestaurierung-3.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_gemalderestaurierung-3.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_gemalderestaurierung-3.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_gemalderestaurierung-3-320x320.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_gemalderestaurierung-3-320x320.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_gemalderestaurierung-3.jpg\"\n        alt=\"\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n            <\/div>\n\n            <div class=\"area text\">\n                                    <div class=\"title\">\n                        <span>X-ray analysis of paintings using linear techniques \u2013 a new range of investigative methods for the degree programme<\/span>\n                    <\/div>\n                                                    <div class=\"subhead bottom\">\n                        <span>X-ray analysis of art using linear technology. A project in collaboration with item <\/span>\n                    <\/div>\n                                \n            <\/div>\n\n            \n        <\/div>\n\n    \n        \n        <div class=\"block block-teaser block-card studies has-image block-link\">\n\n                            <a href=\"https:\/\/www.abk-stuttgart.de\/forschung\/konservierung-und-restaurierung-von-kulturgut\/untersuchung-der-windberger-aebtegalerie\/\" title=\"Untersuchung der Windberger \u00c4btegalerie\" target=\"_self\" class=\"block-link__link\" aria-label=\"A study of the Windberg Abbots\u2019 Gallery\"><\/a>\n            \n            <div class=\"area image\">\n                \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/kacheln_Restaurierung_Windberger-Aebtegalerie-320x320.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/kacheln_Restaurierung_Windberger-Aebtegalerie.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/kacheln_Restaurierung_Windberger-Aebtegalerie.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/kacheln_Restaurierung_Windberger-Aebtegalerie.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/kacheln_Restaurierung_Windberger-Aebtegalerie.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/kacheln_Restaurierung_Windberger-Aebtegalerie.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/kacheln_Restaurierung_Windberger-Aebtegalerie-320x320.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/kacheln_Restaurierung_Windberger-Aebtegalerie-320x320.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/kacheln_Restaurierung_Windberger-Aebtegalerie.jpg\"\n        alt=\"\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n            <\/div>\n\n            <div class=\"area text\">\n                                    <div class=\"title\">\n                        <span>A study of the Windberg Abbots\u2019 Gallery<\/span>\n                    <\/div>\n                                                    <div class=\"subhead bottom\">\n                        <span>Cooperation with the Bavarian State Office for the Preservation of Historical Monuments<\/span>\n                    <\/div>\n                                \n            <\/div>\n\n            \n        <\/div>\n\n    \n        \n        <div class=\"block block-teaser block-card studies has-image block-link\">\n\n                            <a href=\"https:\/\/www.abk-stuttgart.de\/forschung\/konservierung-und-restaurierung-von-kulturgut\/hufwunder-des-heiligen-eligius\/\" title=\"Hufwunder des heiligen Eligius\" target=\"_self\" class=\"block-link__link\" aria-label=\"The \u2018Hufwunder\u2019 of Saint Eligius from the Liebieghaus in Frankfurt am Main \"><\/a>\n            \n            <div class=\"area image\">\n                \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/02\/Kachel_DasHufwunderDesHeiligenEligius-320x320.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/02\/Kachel_DasHufwunderDesHeiligenEligius.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/02\/Kachel_DasHufwunderDesHeiligenEligius.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/02\/Kachel_DasHufwunderDesHeiligenEligius.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/02\/Kachel_DasHufwunderDesHeiligenEligius.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/02\/Kachel_DasHufwunderDesHeiligenEligius.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/02\/Kachel_DasHufwunderDesHeiligenEligius-320x320.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/02\/Kachel_DasHufwunderDesHeiligenEligius-320x320.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/02\/Kachel_DasHufwunderDesHeiligenEligius.jpg\"\n        alt=\"\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n            <\/div>\n\n            <div class=\"area text\">\n                                    <div class=\"title\">\n                        <span>The \u2018Hufwunder\u2019 of Saint Eligius from the Liebieghaus in Frankfurt am Main <\/span>\n                    <\/div>\n                                                    <div class=\"subhead bottom\">\n                        <span>Partnership with the Liebieghaus Sculpture Collection<\/span>\n                    <\/div>\n                                \n            <\/div>\n\n            \n        <\/div>\n\n    \n        \n        <div class=\"block block-teaser block-card studies has-image block-link\">\n\n                            <a href=\"https:\/\/www.abk-stuttgart.de\/forschung\/konservierung-und-restaurierung-von-kulturgut\/tears-covered-by-paint-understanding-the-current-state-of-a-painting-by-eugene-leroy\/\" title=\"Mit Farbe gef\u00fcllte Risse: Schaden oder Spuren einer besonderen Maltechnik?\" target=\"_self\" class=\"block-link__link\" aria-label=\"Cracks filled with paint: damage or evidence of a particular painting technique?\"><\/a>\n            \n            <div class=\"area image\">\n                \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/abk_forschung_Eugene_Leroy_Kachel-320x320.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/abk_forschung_Eugene_Leroy_Kachel.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/abk_forschung_Eugene_Leroy_Kachel.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/abk_forschung_Eugene_Leroy_Kachel.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/abk_forschung_Eugene_Leroy_Kachel.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/abk_forschung_Eugene_Leroy_Kachel.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/abk_forschung_Eugene_Leroy_Kachel-320x320.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/abk_forschung_Eugene_Leroy_Kachel-320x320.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/abk_forschung_Eugene_Leroy_Kachel.jpg\"\n        alt=\"Two large canvases are shown from the back; the left one has markings and paint stains, while the right one is clean and divided into four sections. Both lean against a metal grid wall.\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n            <\/div>\n\n            <div class=\"area text\">\n                                    <div class=\"title\">\n                        <span>Cracks filled with paint: damage or evidence of a particular painting technique?<\/span>\n                    <\/div>\n                                                    <div class=\"subhead bottom\">\n                        <span>Project on the impasto oil paintings of the French artist Eug\u00e8ne Leroy<\/span>\n                    <\/div>\n                                \n            <\/div>\n\n            \n        <\/div>\n\n    \n        \n        <div class=\"block block-teaser block-card studies has-image block-link\">\n\n                            <a href=\"https:\/\/www.abk-stuttgart.de\/forschung\/konservierung-und-restaurierung-von-kulturgut\/ein-neues-hydrogel-fuer-die-oberflaechenreinigung\/\" title=\"Wasserempfindliche Oberfl\u00e4chen in der Klassischen Moderne: Reinigung mit wasserbasierten Gelen\" target=\"_self\" class=\"block-link__link\" aria-label=\"Water-sensitive surfaces in Classical Modernism: cleaning with water-based gels\"><\/a>\n            \n            <div class=\"area image\">\n                \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/forschung_wasserempfindlicheOberflaechen_thumbnail-320x320.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/forschung_wasserempfindlicheOberflaechen_thumbnail.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/forschung_wasserempfindlicheOberflaechen_thumbnail.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/forschung_wasserempfindlicheOberflaechen_thumbnail.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/forschung_wasserempfindlicheOberflaechen_thumbnail.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/forschung_wasserempfindlicheOberflaechen_thumbnail.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/forschung_wasserempfindlicheOberflaechen_thumbnail-320x320.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/forschung_wasserempfindlicheOberflaechen_thumbnail-320x320.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/forschung_wasserempfindlicheOberflaechen_thumbnail.jpg\"\n        alt=\"Nahaufnahme eines strukturierten Gem\u00e4ldes mit vertikalen, rissigen Pinselstrichen in Blau, Wei\u00df, Gelb und Rot auf einer rauen Oberfl\u00e4che.\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n            <\/div>\n\n            <div class=\"area text\">\n                                    <div class=\"title\">\n                        <span>Water-sensitive surfaces in Classical Modernism: cleaning with water-based gels<\/span>\n                    <\/div>\n                                                    <div class=\"subhead bottom\">\n                        <span>Project work in collaboration with the F\u00f6rderverein Lenbachhaus e.V. <\/span>\n                    <\/div>\n                                \n            <\/div>\n\n            \n        <\/div>\n\n    \n<\/div>\n\n\n<\/details>\n\n\n<\/details>\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h3>Outline of the profession<\/h3>    <\/summary>\n    \n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<p>Conservators work to preserve works of art and cultural artifacts. By working on and with original works of art, they shoulder a great responsibility for passing on our cultural heritage. Every work of art has its own unique history, which can have many facets. Restorers aim to grasp and understand the complex historical, material and conceptual significance of the objects entrusted to them, adopting a holistic approach. Interdisciplinary collaboration is key to success here. That is why they regularly work alongside art historians, heritage conservationists, and specialists from the natural sciences and engineering.     <\/p>\n<p>A scientific assessment of the object in all its dimensions is a prerequisite for an appropriate restoration plan that justifies the necessary measures. Respect for the unique history of each object requires a bespoke, individual approach in each case. These measures are then implemented by conservators acting on their own responsibility. They work in museums, in the field of heritage conservation, or are self-employed on behalf of state, church or private clients. Increasingly, they also take on planning and coordination tasks, such as planning and coordinating larger restoration projects or overseeing exhibitions and loan schemes. They provide advice on matters of preventive conservation and thus help to improve the framework conditions for the long-term preservation of cultural heritage.     <\/p>\n<p>The opportunity to pursue a PhD means that Master&rsquo;s graduates from the ABK Stuttgart also have a path into research and teaching.<\/p>\n<p>Further information on this profession can be found on the website of the <a href=\"https:\/\/www.restauratoren.de\/\" target=\"_blank\" rel=\"noopener\">Association of Conservators (VdR)<\/a>.<\/p>\n\n        <\/div>\n    <\/div>\n\n\n<\/details>\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h3>Bachelor&#8217;s degree<\/h3>    <\/summary>\n    \n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h4>Duration and degree<\/h4>    <\/summary>\n    \n\n\n    \n    <div class=\"block block-text\">\n        <table class=\"table--simple\">\n\n            \n            <tbody>\n                                    <tr>\n                        <th>Duration of study<\/th>                        <td><p>Standard period of study 6 semesters<\/p>\n<\/td>\n                                            <\/tr>\n                                    <tr>\n                        <th>Degree<\/th>                        <td><p>B.A. (Bachelor of Arts)<\/p>\n<\/td>\n                                            <\/tr>\n                                    <tr>\n                        <th>ECTS<\/th>                        <td><p>180<\/p>\n<\/td>\n                                            <\/tr>\n                            <\/tbody>\n\n        <\/table>\n    <\/div>\n\n\n\n<\/details>\n\n\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h4>Course content<\/h4>    <\/summary>\n    \n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<p>The Bachelor&rsquo;s programme provides students with fundamental subject knowledge: through cross-disciplinary lectures and seminars, students learn the basic techniques of academic work, referencing and media literacy, whilst also acquiring a grounding in the natural sciences and the humanities.<\/p>\n<p>The interdisciplinary curriculum is complemented by subject-specific lectures and seminars in the fields of materials science, art technology and conservation science. The six thematic areas are <\/p>\n<ul class=\"simple\">\n<li>Paintings on textile supports<\/li>\n<li>Paintings on rigid supports and sculptures<\/li>\n<li>natural organic and inorganic binders<\/li>\n<li>Ground and paint layer structure, metal overlays<\/li>\n<li>Modern, synthetic materials<\/li>\n<li>Colouring agents<\/li>\n<\/ul>\n\n        <\/div>\n    <\/div>\n\n\n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<p><strong>Bachelor&rsquo;s thesis and final examination<\/strong><br>\nThe Bachelor&rsquo;s programme concludes with a four-month Bachelor&rsquo;s dissertation and a final examination, leading to the award of a Bachelor of Arts (B.A.), and corresponds to Level 6 of the &lsquo;Professional Guidelines&rsquo; of the European Confederation of Conservator-Restorers Organisations (E.C.C.O.). <a href=\"https:\/\/www.ecco-eu.org\/\" target=\"_blank\" rel=\"noopener\">ecco-eu.org<\/a><\/p>\n<p>Upon passing the Bachelor&rsquo;s degree examination, graduates are eligible for a place on a Master&rsquo;s programme. The B.A. degree does not yet qualify graduates to practise their profession independently, which is why the M.A. degree is recommended. <\/p>\n\n        <\/div>\n    <\/div>\n\n\n\n\n\n<\/details>\n\n\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h4>Regulations<\/h4>    <\/summary>\n    \n\n\n    <div class=\"block btn-column\">\n        \n<a\n    href=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/abk_KonsRest_Gemaelde_Modulhandbuch_Ba-Ma_2020.pdf\"\n   class=\"link btn btn--default type-download has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"download\"\n      >\n\n            <span class=\"shrink-to-fit\">abk_KonsRest_Gemaelde_Modulhandbuch_Ba-Ma_2020<\/span>\n    \n            <span class=\"filetype\">PDF<\/span>\n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18 10.5L12.5 15L7 10.5\" stroke=\"black\" \/>\n    <path d=\"M12.5 6V15\" stroke=\"black\" \/>\n    <path d=\"M18 19H7\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/11\/abk_KonsRest_Studien-Pruefungsordnung_Ba-Ma_2020.pdf\"\n   class=\"link btn btn--default type-download has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"download\"\n      >\n\n            <span class=\"shrink-to-fit\">abk_KonsRest_Studien-Pruefungsordnung_Ba-Ma_2020<\/span>\n    \n            <span class=\"filetype\">PDF<\/span>\n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18 10.5L12.5 15L7 10.5\" stroke=\"black\" \/>\n    <path d=\"M12.5 6V15\" stroke=\"black\" \/>\n    <path d=\"M18 19H7\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/09\/abk_Zulassungs-Immatrikulationssatzung_2025.pdf\"\n   class=\"link btn btn--default type-download has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"download\"\n      >\n\n            <span class=\"shrink-to-fit\">abk_Zulassungs-Immatrikulationssatzung_2021<\/span>\n    \n            <span class=\"filetype\">PDF<\/span>\n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18 10.5L12.5 15L7 10.5\" stroke=\"black\" \/>\n    <path d=\"M12.5 6V15\" stroke=\"black\" \/>\n    <path d=\"M18 19H7\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/09\/abk_Praktikumsverordnung_2020.pdf\"\n   class=\"link btn btn--default type-download has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"download\"\n      >\n\n            <span class=\"shrink-to-fit\">abk_Praktikumsverordnung_2020<\/span>\n    \n            <span class=\"filetype\">PDF<\/span>\n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18 10.5L12.5 15L7 10.5\" stroke=\"black\" \/>\n    <path d=\"M12.5 6V15\" stroke=\"black\" \/>\n    <path d=\"M18 19H7\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/11\/abk_KonsRest_Leistungsnachweis_Interdis_Ba.pdf\"\n   class=\"link btn btn--default type-download has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"download\"\n      >\n\n            <span class=\"shrink-to-fit\">abk_KonsRest_Leistungsnachweis_Interdis_Ba<\/span>\n    \n            <span class=\"filetype\">PDF<\/span>\n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18 10.5L12.5 15L7 10.5\" stroke=\"black\" \/>\n    <path d=\"M12.5 6V15\" stroke=\"black\" \/>\n    <path d=\"M18 19H7\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n\n    <\/div>\n\n\n\n<\/details>\n\n\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h4>Apply<\/h4>    <\/summary>\n    \n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<div class=\"block block-text collapse-content\">\n<div class=\"fs-text\">\n<div class=\"fs-text\">\n<p><a href=\"https:\/\/www.abk-stuttgart.de\/application\/bewerbung\/konservierung-und-restaurierung-b-a\/\" class=\"link btn btn--default has-icon icon-right type-arrow\" target=\"self\">\n            <span class=\"shrink-to-fit\">Application<\/span>\n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\">\n                <path d=\"M10.5 8L15.5 12.5L10.5 17\" stroke=\"black\"><\/path>\n            <\/svg>\n        <\/a><\/p>\n<p><a href=\"https:\/\/www.abk-stuttgart.de\/en\/application\/studien-und-mappenberatung\/\" class=\"link btn btn--default has-icon icon-right type-arrow\" target=\"self\">\n            <span class=\"shrink-to-fit\">Student advisory services<\/span>\n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\">\n                <path d=\"M10.5 8L15.5 12.5L10.5 17\" stroke=\"black\"><\/path>\n            <\/svg>\n        <\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n        <\/div>\n    <\/div>\n\n\n<\/details>\n\n\n<\/details>\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h3>Master<\/h3>    <\/summary>\n    \n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h4>Duration and degree<\/h4>    <\/summary>\n    \n\n\n    \n    <div class=\"block block-text\">\n        <table class=\"table--simple\">\n\n            \n            <tbody>\n                                    <tr>\n                        <th>Duration of study<\/th>                        <td><p>Standard period of study 4 semesters<\/p>\n<\/td>\n                                            <\/tr>\n                                    <tr>\n                        <th>Degree<\/th>                        <td><p>M.A. (Master of Arts)<\/p>\n<\/td>\n                                            <\/tr>\n                                    <tr>\n                        <th>ECTS<\/th>                        <td><p>120<\/p>\n<\/td>\n                                            <\/tr>\n                            <\/tbody>\n\n        <\/table>\n    <\/div>\n\n\n\n<\/details>\n\n\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h4>Course content<\/h4>    <\/summary>\n    \n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<p>The Master&rsquo;s programme builds on the Bachelor&rsquo;s programme in a sequential manner and specifically deepens the foundational knowledge acquired there, enabling you to gain the necessary professional expertise for a future career in which you will work independently. The Master&rsquo;s programme is characterised by a wide range of options and a high degree of academic freedom: You can choose from a wide range of theoretical block modules &ndash; usually lasting one week &ndash; in the fields of materials science, archaeometry, art technology and conservation science, as well as modern artefacts and contemporary art, selecting those that interest you most and thereby developing your own specialist profile. A complete list of available modules can be found in the module handbook (see the &lsquo;Regulations&rsquo; section).  <\/p>\n\n        <\/div>\n    <\/div>\n\n\n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<p>The theoretical modules in the Master&rsquo;s programme are also supplemented by a total of three major practical projects. Step by step, you will be enabled to develop concepts largely independently, based on a thorough technological and material analysis of the objects entrusted to you, and then to carry out these measures with increasing autonomy. International experience enriches the course and can be gained both through study placements at partner universities and through project work.  <\/p>\n<p>The semester project and Master&rsquo;s thesis offer you the opportunity to carry out your first independent research projects. The choice of topic can be based on your academic interests and is therefore also an important step towards future specialisation. The M.A. degree from the ABK Stuttgart is highly regarded both in Germany and abroad. Our graduates work either independently or as employees in restoration workshops at museums and heritage conservation agencies, or at universities. Entry into the profession can be achieved, for example, through research traineeships in museums or via the contacts that students establish whilst still studying, during compulsory work placements, project work or semester and Master&rsquo;s theses.    <\/p>\n<p><strong>Master&rsquo;s thesis<\/strong><br>\nThe Master&rsquo;s programme culminates in a six-month Master&rsquo;s thesis. Upon successful completion, students will have acquired skills in line with Level 7 of the E.C.C.O Professional Guidelines (<a href=\"https:\/\/www.ecco-eu.org\/\" target=\"_blank\" rel=\"noopener\">ecco-eu.org<\/a>). The M.A. degree qualifies you to practise the profession independently and to pursue a <a href=\"https:\/\/www.abk-stuttgart.de\/?post_type=programme&amp;p=566\">PhD<\/a>.  <\/p>\n\n        <\/div>\n    <\/div>\n\n\n<\/details>\n\n\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h4>Regulations<\/h4>    <\/summary>\n    \n\n\n    <div class=\"block btn-column\">\n        \n<a\n    href=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/abk_KonsRest_Gemaelde_Modulhandbuch_Ba-Ma_2020.pdf\"\n   class=\"link btn btn--default type-download has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"download\"\n      >\n\n            <span class=\"shrink-to-fit\">abk_KonsRest_Gemaelde_Modulhandbuch_Ba-Ma_2020<\/span>\n    \n            <span class=\"filetype\">PDF<\/span>\n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18 10.5L12.5 15L7 10.5\" stroke=\"black\" \/>\n    <path d=\"M12.5 6V15\" stroke=\"black\" \/>\n    <path d=\"M18 19H7\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/11\/abk_KonsRest_Studien-Pruefungsordnung_Ba-Ma_2020.pdf\"\n   class=\"link btn btn--default type-download has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"download\"\n      >\n\n            <span class=\"shrink-to-fit\">abk_KonsRest_Studien-Pruefungsordnung_Ba-Ma_2020<\/span>\n    \n            <span class=\"filetype\">PDF<\/span>\n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18 10.5L12.5 15L7 10.5\" stroke=\"black\" \/>\n    <path d=\"M12.5 6V15\" stroke=\"black\" \/>\n    <path d=\"M18 19H7\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/09\/abk_Zulassungs-Immatrikulationssatzung_2025.pdf\"\n   class=\"link btn btn--default type-download has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"download\"\n      >\n\n            <span class=\"shrink-to-fit\">abk_Zulassungs-Immatrikulationssatzung_2021<\/span>\n    \n            <span class=\"filetype\">PDF<\/span>\n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18 10.5L12.5 15L7 10.5\" stroke=\"black\" \/>\n    <path d=\"M12.5 6V15\" stroke=\"black\" \/>\n    <path d=\"M18 19H7\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n\n    <\/div>\n\n\n\n<\/details>\n\n\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h4>Apply<\/h4>    <\/summary>\n    \n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<div class=\"block block-text collapse-content\">\n<div class=\"fs-text\">\n<div class=\"fs-text\">\n<p><a href=\"https:\/\/www.abk-stuttgart.de\/application\/bewerbung\/konservierung-und-restaurierung-m-a\/\" class=\"link btn btn--default has-icon icon-right type-arrow\" target=\"self\">\n            <span class=\"shrink-to-fit\">Application<\/span>\n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\">\n                <path d=\"M10.5 8L15.5 12.5L10.5 17\" stroke=\"black\"><\/path>\n            <\/svg>\n        <\/a><\/p>\n<p><a href=\"https:\/\/www.abk-stuttgart.de\/en\/application\/studien-und-mappenberatung\/\" class=\"link btn btn--default has-icon icon-right type-arrow\" target=\"self\">\n            <span class=\"shrink-to-fit\">Student advisory services<\/span>\n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\">\n                <path d=\"M10.5 8L15.5 12.5L10.5 17\" stroke=\"black\"><\/path>\n            <\/svg>\n        <\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n        <\/div>\n    <\/div>\n\n\n<\/details>\n\n\n<\/details>\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h3>Master&#8217;s Theses<\/h3>    <\/summary>\n    \n\n<details class=\"block-bundle collapse-section collapsed\">\n    <summary class=\"block block-subsection-title\">\n        <h4>Master&#8217;s theses since 2014<\/h4>    <\/summary>\n    \n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<h5><strong>2025<\/strong><\/h5>\n<p>Link (n&eacute;e Khamneifar), Saskia. <em>Archival research at the two German artists&rsquo; paint manufacturers, H. Schmincke &amp; Co. and Dr. Fr. Schoenfeld &amp; Co., by Lukas on changes to the formulations of binders used in artists&rsquo; oil paints between 1930 and 1955.<\/em><\/p>\n<p>Mannsperger, Leontine. <em>A comparison of methods for the artificial ageing of oil paintings based on mechanical and physical properties.<\/em><\/p>\n<p>Schweizer, Chiara. <em>The influence of relative humidity on the light sensitivity of pigments: measurements using a microfading tester.<\/em><\/p>\n<h5><strong>2024<\/strong><\/h5>\n<p>Knapp, Lotta. <em>Analysis of a pilot study and experimental investigation into the suitability of microhardness measurement and dynamic differential calorimetry for characterising the mechanical and thermal properties of retouching paints.<\/em><\/p>\n<p>Scheiger, Anna Laura. A contribution to the history of painting restoration &ndash; Prof. Rolf E. Straub&rsquo;s teaching at the ABK Stuttgart (1963&ndash;1982), using the example of textile supports.<\/p>\n<h5>2023<\/h5>\n<p>Sachse, Julia Sonja. <em>The hoof miracle of St. Eligius from 1520\/30 &ndash; art technological examination of the paint layer of the shrine and relief and development of a conservation concept. <\/em>&ndash;<\/p>\n<p>Zamora Blaumann, Estefania Ezequiela. Harmful outgassing in glazed paintings. <\/p>\n<p>Lorenz, Katja. Hyperspectral imaging for the separation and identification of binders in paintings.<br>\nGenerating Representative Reference Spectra and Conducting Systematic Experiments on Versatile Mockups to Evaluate the Feasibility and Limitations of Utilizing Hyperspectral Imaging for Examining Binders on Paintings with a Focus on the Material Palette of Willi Baumeister. <\/p>\n<h5>2022<\/h5>\n<p>Backes, Hannah. The Piet&agrave; of Lienzingen. Arttechnological examination of the fragment of a late gothic sculpture&ldquo;.  <\/p>\n<p>Opitz, Josephine. <em>(The Study of Hard Boards used as painting supports in the early 20th century, with the Focus set on examining the Estate of Willi Baumeister. In the Period from 1935 to 1955.)  <\/em>&ndash;<\/p>\n<p>Schm&auml;decker, Maike. <em>(Wax and water. Punic wax as a binding medium for antique roman ship paint.) <\/em>. &ndash;<\/p>\n<p>Schulz, Isabel. <em>Protective Backings of Paintings on Canvas in Historical Buildings. Basic Principles, Current Survey and Microclimate Measurements of Various Systems in a Case Study. <\/em>. &ndash;<\/p>\n<h5>2021<\/h5>\n<p>Heinz, Lisa. <em>The Nothelfer retable. Merging and presentation of a fragmentary retable from 1491 from the W&uuml;rttemberg State Museum&ldquo;. <\/em>. &ndash;<\/p>\n<p>Hartlieb, Eva. <em>How does a canvas vibrate? &ndash; The influence of various parameters on the vibration behaviour of paintings on canvases. <\/em>. &ndash;<\/p>\n<p>Egeler, Anna. <em>Glueing wood with methyl cellulose. Single-lap shear and 3-point bending tests on overlapping glued limewood specimens. <\/em>. &ndash;<\/p>\n<h5>2020<\/h5>\n<p>Hack, Laura. Junges M&auml;dchen auf dem Totenbett (1876) &ndash; art technological examination and development of a conservation concept for varnish treatment of a painting by Gabriel von Max.  <\/p>\n<p>Mitschke, Dennis. <em>German or Dutch? &ndash; Investigation on the fabric covering and the coating layers of the Fokker D.VII at the &ldquo;Deutsches Museum&rdquo;, Munich. <\/em>. &ndash;<\/p>\n<h5>2019<\/h5>\n<p>Daniel Gaasch. <em>Cellulose ethers as adhesive for tear mending. Uniaxial tensile tests on linen canvas sample stripes with methylcellulose and hydroxypropyl methylcellulose. Published in Zeitschrift f&uuml;r Kunsttechnologie und Konservierung 35 (2022) Heft 1, S. 120-128. <\/em>. &ndash;<\/p>\n<p>Mareike Gerken. <em>Two paintings by Ernst Ludwig Kirchner from the Kunsthalle Bremen &ndash; Studies on painting technique and consolidation of the matte oil paintings Bootshafen auf Fehmarn&ldquo; (1913) and Stra&szlig;enszene bei Nacht (1925\/27). <\/em>. &ndash;<\/p>\n<p>Stefanie G&ouml;ltz. <em>The Museums Conservators &ndash; Today. Capturing the professional self-image, viewing the professional activities and the presentation on the museum homepages of conservators in museums. <\/em>. &ndash;<\/p>\n<p>Larina Held. Paint Layer Issues on the Cubist Painting Man with Guitar (1918) by Pablo Picasso &ndash; Art Technological Examination and Development of a Conservation Concept. <\/p>\n<p>Lea Rechenauer. Comparative Art Technological Examination of the St. Georg High Altars by the Sculptor Johann Baptist Straub in Bichl and M&uuml;nchen-Bogenhausen.<br>\nPublished in: Rupert Karbacher, Lea Rechenauer: &bdquo;Results of the examination of the high altar of St George in Munich-Bogenhausen&ldquo;), in: Tracing the art of the Straub family. Auf den Spuren der Familie Straub Institute for the Protection of Cultural Heritage of Slovenia, Ljubljana, Matej Klemencic, Katra Meke, Ksenija Skaric (Hrsg.) Zagreb 2019, S. 99&mdash;109.  <em>&ndash; <\/em>. &ndash;<\/p>\n<h5>2018<\/h5>\n<p>Jana Exner. <em>(Up-to-date and informative &ndash; The Collection K&ouml;lle. Recording the state of preservation of a private collection from the 19th century.) <\/em>. &ndash;<\/p>\n<p>Christiane Kritzer. The pastel color market of the early 20th century. <\/p>\n<p>Annika Maier. Studies of Hans Sch&auml;ufelin&rsquo;s painting technique. <\/p>\n<p>Maria Markovska. <em>Prevention through Cooperation? Possibilities for interdisciplinary cooperation on campus between various courses of studies of Conservation and Fine Art. <\/em>. &ndash;<\/p>\n<p>Jana Merseburg. A challenging task: Developing and applying a conservation treatment concept on a moveable object with a monchrom white surface by Hal Busse. <\/p>\n<p>Stella Overmann. <em>Classification of painting damages. Mechanical alterations and degradation phenomenas of the material. <\/em>. &ndash;<\/p>\n<p>Rika Pause. Synthetic Organic Pigments in Talens Oil Paint &ndash; in the first half of the 20th century.<br>\n2017 <\/p>\n<p>Anna Ko&scaron;ar. <em>St. Peter from the &Scaron;ibenik Cathedral &ndash; Art technology in the context of Dalmatian history. <\/em>. &ndash;<\/p>\n<p>Sabrina Kunz. <em>A reworked fragment from the Rubens workshop? Examination of painting technique and analysis of materials of a presumed lady&rsquo;s portrait. <\/em>. &ndash;<\/p>\n<p>Pia R&ouml;sch. Hermann Sohn&rsquo;s workshop and efflorescences on his paintings. <\/p>\n<p>Nathalie Staaf. Alternative Lightweight Fillers from Microparticles in Conservation.<br>\nPublished in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 31 (2017) Heft 2, S. 234&ndash;250. <\/p>\n<h5>2016<\/h5>\n<p>Ulrike Hau&szlig;mann. Staining techniques for the localization of proteins and drying oils in paintings &ndash; Problems and limits of interpretation.  <\/p>\n<p>Fuhyi Kuo. Investigation of Paint Layer on Three Late Gothic Reliefs from Tyrolean State Museum. <\/p>\n<p>Thuja Seidel. <em>A reflection of the times. The portrait of Carl Friedrich Lessing painted by Carl Ferdinand Sohn (1856) in the original frame. Examination, conservation and restoration.  <\/em>. &ndash;  <\/p>\n<h5>2015<\/h5>\n<p>Jill Kruzwicki. <em>Nails &ndash; Fabrics &ndash; Monocrome Surface. Possibilities and Limitations of Conservation as Seen in an Artwork by Enrico Castellani. <\/em>. &ndash;<\/p>\n<p>Ilona Schw&auml;gerl. <em>Glued and stitched. The Wings of the &ldquo;Teinacher Lehrtafel&ldquo; and Alternatives for Tearmending on double-sided Canvas Paintings. <\/em>. &ndash;<\/p>\n<p>Johanna Stegm&uuml;ller.<em> Die Wandlung von Farbmaterie zum Farbgeist &ndash; The Basics of Rupprecht Geiger&rsquo;s Painting Techniques.  <\/em>&ndash;<\/p>\n<h5>2014<\/h5>\n<p>Katharina Geffken. Infraredreflectography &ndash; Light emmitting Diodes as a multispectral Source of Radiation.  <\/p>\n<p>Elisabeth George.<em> A Panel Cross (from 1500) &ndash; One of various objects found in St. Urban and Vitus in Neuhausen (Enzkreis). Technological examination, conservation and restoration. <\/em>. &ndash; <\/p>\n<p>Maja Rinck. Wax and Oil Crayons as a Material in Art. <\/p>\n<p>Andrea von Hedenstr&ouml;m. &bdquo;<em>Tudor, or not Tudor, that is the Question&ldquo;. Authenticity of Art During the English Renaissance. A Technical and Art Historical Investigation into eleven Portraits from Audley End House  <\/em>. &ndash;<\/p>\n<p>Jasmin Wollenhaupt (n&eacute;e Bauer). <em>(Painting conservation on the edge. Iron induced degradation on tacking margins and the use of intermediate materials)<br>Published in Zeitschrift f&uuml;r Kunsttechnologie und Konservierung 35 (2022) Heft 1, S. 231-242. <\/em>. &ndash;<\/p>\n\n        <\/div>\n    <\/div>\n\n\n<\/details>\n\n\n\n<details class=\"block-bundle collapse-section collapsed\">\n    <summary class=\"block block-subsection-title\">\n        <h4>Diploma theses 1977\u20132014<\/h4>    <\/summary>\n    \n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<div class=\"block block-text collapse-content\">\n<div class=\"fs-text\">\n<p>If the final theses have been published, a note to this effect will appear at the end of the relevant entry. Unpublished theses may be viewed at the Birkenwaldstra&szlig;e Library by prior appointment. For enquiries, please contact the programme&rsquo;s administrative office (see the &lsquo;Contact&rsquo; section).  <\/p>\n<\/div>\n<\/div>\n<div class=\"block block-text collapse-content\">\n<div class=\"fs-text\">\n<h5>2014<\/h5>\n<p>Elisabeth Ursprung. <em>Bronze powder. A forgotten art material from the Expressionist period. <\/em><\/p>\n<h5>2013<\/h5>\n<p>Lena B&uuml;hl. <em>The conservation of painted PE and PVC films. Fragile paintings in the series &ldquo;SIEV-X. On a case of increasingly restrictive refugee policy&rdquo; by Dierk Schmidt  <\/em>. Published in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 29 (2015) Heft 2, S. 161&ndash;186.<\/p>\n<p>Carolin Heinemann. <em>Digital shearography for the condition assessment of paintings. Evaluation of the method and presentation of an analysis strategy for interpreting the phase images <\/em>. Published in<em> Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 28 (2014) Heft 1, S. 51&ndash;64.<\/p>\n<p>Bernadette Henke.<\/p>\n<p>Kamila Korbela. <em>The investigation and assessment of the structural problems in Edvard Munch&rsquo;s paintings referring to two case studies from the 1910s<\/em>.<\/p>\n<h5>2012<\/h5>\n<p>Meike Jockusch. Climate protection for the reverse side of paintings on textile supports &ndash; material analysis in the context of heritage conservation using simulation. <\/p>\n<p>Liliane Metz. An art-technological analysis of the Barbara Altar by J&ouml;rg Ratgeb.<\/p>\n<p>Ramona Roth.<\/p>\n<p>Manuela Wiesend. <em>Whimsical and misunderstood. The technology and materials of Tyrolean spider&rsquo;s-web painting <\/em>.<br>\nPublished in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 28 (2014) Heft 1, S. 65&ndash;78.<\/p>\n<p>Annegret Volk. <em>Approaches towards the surface cleaning of water sensitive oil paints with aqueous methods<\/em>.<\/p>\n<h5>2011<\/h5>\n<p>Patricia Dornst&auml;dter. The Family Tree of the Counts of Montfort &ndash; Art-technological Analysis, Conservation and Presentation. <\/p>\n<p>Ewa Kruppa. <em>Colour! Colour! Colour! Vast, bold, energetic, sharply rendered (&hellip;) Observations on painting techniques in works by Otto Modersohn and Paula Modersohn-Becker, set against the backdrop of the artists&rsquo; own statements regarding the use of tempera paints   <\/em>.<\/p>\n<p>Julia Langenbacher. Technology, ageing and restoration of polyurethane elastomers, using the sculpture *Wurfeisen und Zwille* (Hafenstra&szlig;e design), 1990, by Olaf Metzel, as an example.<\/p>\n<p>Magdalena Schlesinger.<em> The Maulbronn Madonna. A conservation-scientific examination of a contaminated sculpture. <\/em>.<\/p>\n<p>Amelie Stange. <em>Polyvinyl acetate dispersions as binders in layered painting. Forms of application and ageing properties of Caparol&reg; binders and other products in paintings from the 1950s and 1960s. <\/em>.<\/p>\n<h5>2010<\/h5>\n<p>Christine D&ouml;rr. <em>A study of red underdrawings in 14th- and 15th-century panel and canvas paintings.  <\/em>.<\/p>\n<p>Hanna Gr&auml;beldinger. <em>Laser ablation &ndash; The removal of Dammar using an ultrashort-pulse laser. A successful alternative? <\/em><\/p>\n<p>Laura Katharina Kapp. The Institute of Painting Technology at the State Academy of Fine Arts in Stuttgart.<\/p>\n<p>Tilly Laaser. A study of the penetration behaviour of adhesive mixtures in the conservation of canvas paintings, using methylcellulose-glutin glue mixtures as an example. Published in: Tilly Laaser, Karolina Soppa, Christoph Krekel: Lokalisierung von Konsolidierungsmitteln in Gem&auml;lden durch Fluoreszenzmarkierung (Teil II). In: <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em>, 2\/2013, S. 218&ndash;228.  <\/p>\n<p>C&auml;cilia von Merveldt. 19th-century panoramic painting, illustrated by the panorama &lsquo;The Battle of Villiers and Champigny&rsquo; by Prof. Louis Braun, commissioned by the City of Stuttgart in 1889. <\/p>\n<p>Balthazar Soulier. A historical and material-analytical study of lute varnishes from the Italian Renaissance.<\/p>\n<h5>2009<\/h5>\n<p>Katrin Bettray. A colourfully painted door from a Moroccan town house. <\/p>\n<p>Jamal Al Jaber. <em>The Wooden Kishk in Ottoman Cities.<\/em><\/p>\n<p>Lena Knecht. Jute as a textile support &ndash; studies on its ageing.<\/p>\n<p>Wolff-Hartwig Lipinski. Investigations into the moisture-related physical behaviour of paintings on textile supports under biaxial strain.<br>\nPublished as Volume 26 (2010) of the &lsquo;Wei&szlig;e Reihe&rsquo; published by the Institute of Museum Studies at the State Academy of Fine Arts, Stuttgart. Anton Siegl Publishers, Munich. ISBN 978-3-935643-48-1.<\/p>\n<p>Anne Marguerite Steinbeis.A technical art analysis of Stefan Lochner and 15th-century Old Cologne painting, based on four panels from the Bavarian State Art Collections.<\/p>\n<p>Melanie Siri Wiegand. Max Pechstein&rsquo;s Palau Triptych &ndash; A Study of Painting Techniques and the History of its Restoration.<\/p>\n<h5>2007<\/h5>\n<p>Kerstin Budde. The creation of new versions of original works in modern and contemporary art &ndash; taking a work by Reiner Ruthenbeck as an example. <\/p>\n<p>Stephanie Dietz. The &lsquo;Heller Altar&rsquo; by Albrecht D&uuml;rer in Frankfurt.<\/p>\n<p>Niclas Hein. 3D white-light strip projection scanner for investigating transport damage to sculptures.<br>\nPublished in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 24 (2010) Heft 1, S. 146&ndash;159.<\/p>\n<p>Kristel Leivo. Attempts to reconstruct the former Steinbach synagogue.<\/p>\n<p>Wibke Neugebauer.<em> <\/em>Development of a DNA microarray for the identification of moulds on works of art and cultural artefacts.<br>\nPublished in <em>Studies in Conservation<\/em> 55 (2010) Heft 4, S. 258&ndash;273.<\/p>\n<h5>2006<\/h5>\n<p>Stella Eichner. <\/p>\n<p>Karin Gei&szlig;inger. Glue made from pike and carp swim bladders &ndash; a possible alternative to sturgeon glue?<br>\nPublished in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 21 (2007) Heft 2, S. 317&ndash;329.<\/p>\n<p>Julika Hatscher. Art-historical studies of sacral sculptures of the Historicism movement, taking into account contemporary specialist literature.<\/p>\n<p>Natalie Kurz. Research into cold-induced damage to contemporary wax-based paintings.<\/p>\n<p>Sophie Richter. Technological investigations and surveys of the two side altars by Jakob M&uuml;hlholzer in the Hergottskirche in Creglingen.<\/p>\n<p>Anita Schink. Comparative studies on the use of microfibre cloths in the cleaning of painting surfaces.<\/p>\n<p>Karolina Soppa. <em>Investigation into the penetration behaviour of polyacrylic acid esters during the consolidation of canvas paintings. Labelling of Degalan P 550\/PQ 611 (formerly Plexisol P 550 and Plexigum PQ 611) with the fluorochrome fluorescein isothiocyanate (FITC) <\/em>. Published in: Karolina Soppa, Tilly Laaser, Christoph Krekel: Lokalisierung von Konsolidierungsmitteln in Gem&auml;lden durch Fluoreszenzmarkierung (Teil I). In: <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em>, 2\/2013, S. 195-217. <\/p>\n<h5>2005<\/h5>\n<p>Anna Bonewitz. Fungicide solutions in painting restoration. <\/p>\n<p>Kerstin Binzer. Mould growth on acrylic paint layers.<\/p>\n<p>Sybille N&ouml;th. On the penetration behaviour of adhesives during consolidation &ndash; Labelling adhesives relevant to the setting process using the fluorochrome fluorescein isothiocyanate.<\/p>\n<h5>2004<\/h5>\n<p>Christina von Buchholtz. Brazilian Baroque sculptures from Minas Gerais &ndash; An overview of the materials used and the influence of Portuguese source texts. <\/p>\n<p>Franziska Herzog. Hyperrealistic sculptures by Ron Mueck &ndash; techniques, materials, and aspects of conservation and restoration, with a focus on silicone rubber and glass-fibre-reinforced polyester.<\/p>\n<p>D&ouml;rte Klatte. The potential and limitations of alkali-PEG solutions for removing aged, oil-based varnishes and overpainting.<\/p>\n<p>Anke Klusmeier. &lsquo;Von aldem, fulen airclar&rsquo; &ndash; A collection of medieval recipes for the use of egg white and reflections on the use of rotten egg white in the field of art technology.<\/p>\n<p>Anne K&uuml;nzig. <em>Textile image carriers made of paper. An example from Mir Iskusstva <\/em>.<br>\nPublished in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 29 (2015) Heft 2, S. 255&ndash;276.<\/p>\n<p>Kathrin Maushardt. Methylcellulose as a binder for fixing the paint layer on canvas paintings.<br>\nPublished in: Kathrin Sindlinger-Maushardt und Karin Petersen: Methylcellulose als Klebemittel f&uuml;r die Malschichtfestigung auf Leinwandbildern-Untersuchungen zur Klebkraft und zur mikrobiellen Resistenz, <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 21 (2007) Heft 2, S. 371-382.<\/p>\n<p>Ina Sahl. The Herrenberg Altar by J&ouml;rg Ratgeb at the Staatsgalerie Stuttgart &ndash; An art-technological study.<\/p>\n<p>Barbara Springmann. Possibilities and limitations in optimising X-ray images for the examination of paintings.<\/p>\n<p>Carolin Wilhelm. <em>A Series of Reliefs. A technological study and reconstruction of the reproduction technique used in a selected series of 15th-century clay and papier-m&acirc;ch&eacute; reliefs <\/em>.<\/p>\n<p>Susanne Wufka. Fibre identification on textile painting supports.<\/p>\n<h5>2003<\/h5>\n<p>Christine G&ouml;tz.The &lsquo;miraculous image&rsquo; from the Protestant parish church in Bad Wimpfen. <\/p>\n<p>Berenice G&uuml;hrig. <em>The design of cloak trims in Gothic depictions of the Virgin Mary in southern Germany. An illustrative overview based on sculptures in settings and panel paintings. <\/em>.<\/p>\n<p>Michaela Heckel. On the suitability of hydrocarbon resins for increasing the strength of degraded timber.<\/p>\n<p>Marie Katharina Hinrichs. <em>Edward Kienholz. THE PORTABLE WAR MEMORIAL. An introduction to the artist and his work.  <\/em>.<\/p>\n<p>Jutta Multhaupt. <em>The Staging of Faith: A Study of a Baroque Group of Figures. <\/em>.<\/p>\n<p>Kerstin Schuld. <em>Icons of the Christian East. A study of the painting techniques used in 17th- and 18th-century devotional images from Lebanon and Syria.   <\/em>.<\/p>\n<h5>2002<\/h5>\n<p>Nadja Anhorn. Max Beckmann&rsquo;s painting technique &ndash; illustrated by his unfinished Resurrection. <\/p>\n<p>Gudrun Bischoff. <em>THE MAYERNE MANUSCRIPT. Formulas for materials, painting techniques and the restoration of paintings <\/em>.<br>\nPublished as Volume 20 (2004) in the &lsquo;Wei&szlig;e Reihe&rsquo; series by the Institute of Museum Studies at the State Academy of Fine Arts, Stuttgart. Anton Siegl Publishers, Munich. ISBN 3-935643-10-1.<\/p>\n<p>Claudia Luckenbach. The Holy Sepulchre of Altshausen.<\/p>\n<h5>2001<\/h5>\n<p>Gloria von Hoensbroch. <em>De secretis pigmentatiorium. Translation, research, comparison and commentary on a collection of recipes from the late sixteenth century. <\/em>.<\/p>\n<p>Frederike R&ouml;per. Parchment as a support for oil painting.<\/p>\n<h5>2000<\/h5>\n<p>Kerstin Bucher. Gaping cracks &ndash; Investigations into the elongation of shrunken crack regions. <\/p>\n<p>Tobias Haupt. <em>Preparation of sturgeon glue. Effect of preparation temperature and time on viscosity, gelling behaviour and molecular weight <\/em>.<br>\nPublished in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 18 (2004) Heft 2, S. 318&ndash;328.<\/p>\n<p>Ulrike H&uuml;gle.<em> The Munich Puppet Theatre. A study of its history, materials, manufacturing techniques and theatrical context. <\/em>.<\/p>\n<p>Saskia Mertens. The Gothic altar crucifix from the Protestant Church of St Cyriakus in B&ouml;nnigheim.<\/p>\n<p>Verena M&uuml;ller. <em>On Paul Uwe Dreyer&rsquo;s painting technique. An interview with an artist about his work. <\/em>.<\/p>\n<p>Nadja Sarodnick. Wooden Egyptian grave goods from the Badisches Landesmuseum in Karlsruhe.<\/p>\n<p>Heide Skowranek. Screen printing in modern art &ndash; a study of the development, technology and application of a printmaking process.<\/p>\n<p>Sigrun Thiel. Crystallisation on portrait miniatures on ivory.<br>\nPublished in Restauratorenbl&auml;tter 21 (2000) and Zeitschrift f&uuml;r Kunsttechnologie und Konservierung (2002).<\/p>\n<h5>1999<\/h5>\n<p>Tilmann Daiber. The &lsquo;Stuppach Madonna&rsquo; by Matthias Gr&uuml;newald &ndash; A study of painting technique. <\/p>\n<p>Moya Sch&ouml;nberg. The Great Friedberg Altarpiece at the Hessian State Museum in Darmstadt.<\/p>\n<p>Iris Winkelmeyer. <em>Contemporary art made from soft polyurethane foam. Creation &ndash; Ageing &ndash; Restoration &ndash; Storage <\/em>.<br>\nPublished as Volume 17 (2000) in the &lsquo;Wei&szlig;e Reihe&rsquo; series by the Institute of Museum Studies at the State Academy of Fine Arts, Stuttgart. Anton Siegl Publishers, Munich. ISBN 3-931485-38-2 (CD).<\/p>\n<h5>1998<\/h5>\n<p>Bettina Achsel. The Japanese hanging scroll painting \/ Materials and painting techniques.<br>\nPublished as Volume 18 (2001) in the &lsquo;Wei&szlig;e Reihe&rsquo; series by the Institute of Museum Studies at the State Academy of Fine Arts, Stuttgart. Anton Siegl Publishers, Munich. ISBN 3-931485-43-9<\/p>\n<p>Kirsten Hinderer. <em>Studies on polycyclohexanone resins as a varnish material in the restoration of paintings: their history and use in Germany.<\/em><\/p>\n<p>Barbara Sommermeyer. Consolidation of matt, powdery paint layers in modern art \/ Application of ultrasonically atomised consolidating agents.<\/p>\n<p>Caroline Springob. <em>St&auml;rkekleister als Verdickungsmittel von St&ouml;rleim zur Malschichtfestigung. Untersuchungen im Vergleich mit zwei Cellulosederivaten <\/em>.<br>\nPubliziert in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 15 (2001) Heft 1, S.111&ndash;132.<\/p>\n<p>Susanne Voigt. <em>Paul Hermann H&uuml;bner (1895&ndash;1981) Ein Restaurator und seine Zeit<\/em>.<br>\nPubliziert in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 18 (2004) Heft 2, S. 225&ndash;260.<\/p>\n<p>Eva Wenders. <em>Dammar als Gem&auml;ldefirnis\/Untersuchungen zu L&ouml;slichkeit, Glanz und Rauhigkeit<\/em>.<br>\nPubliziert in<em> Firnis: Material, &Auml;sthetik, Geschichte: Internationales Kolloquium<\/em> Braunschweig 15.&ndash;17. Juni 1998 (AdR Schriftenreihe zur Restaurierung und Grabungstechnik 1999. Hrsg: Anne Harmsen), S. 152&ndash;160.<\/p>\n<h5>1997<\/h5>\n<p>Henrieke Bierbrodt. <em>Papermarchereliefs an deutschen Objekten des 16. Jahrhunderts<\/em>. <\/p>\n<p>Daniela Hedinger. R<em>issvern&auml;hung am Gem&auml;lde<\/em>.<br>\nPubliziert als Band 15 aus der Wei&szlig;en Reihe am Institut f&uuml;r Museumskunde an der Staatlichen Akademie der Bildenden K&uuml;nste Stuttgart. <\/p>\n<p>Annette Kl&ouml;pfer. <em>Der Gem&auml;ldezyklus der Lauffener Regiswinda-Legende<\/em>.<\/p>\n<p>Renate K&uuml;hnen. <em>Der Ortenberger Altar aus dem Hessischen Landesmuseum Darmstadt<\/em>.<\/p>\n<p>Katja van Wetten. <em>Vom Umgang mit Hochspannungs-Leuchtr&ouml;hren an Kunstobjekten<\/em>.<br>\nPubliziert in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 13 (1999) Heft 1, S. 103&ndash;139.<\/p>\n<h5>1996<\/h5>\n<p>Stefanie Bosch. <em>Restauratorische Behandlungsm&ouml;glichkeiten matter Azuritpartien in der Fa&szlig;- und Tafelmalerei<\/em>. <\/p>\n<p>Sylvia Krau&szlig;. <em>Grundlagen der Retuschentechnik<\/em>.<\/p>\n<p>Gaby Theurer. <em>Englisches Craquelee. Fr&uuml;hschwundrisse bei &Ouml;lgem&auml;lden <\/em>.<br>\nPubliziert in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 12 (1998) Heft 1, S. 33&ndash;98.<\/p>\n<p>Gundula Tutt. <em>Interieur-B&uuml;hnenbilder aus dem Schlo&szlig;theater Ludwigsburg<\/em>.<\/p>\n<h5>1995<\/h5>\n<p>Anja Damaschke. <em>Lederskulpturen um 1400<\/em>.<br>\nPubliziert in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 12 (1998) Heft 1 S. 118&ndash;133.<\/p>\n<p>Natalie Eschweiler. <em>Hygrometer im Gebrauch des Restaurators<\/em>.<\/p>\n<p>Annette Kollmann. <em>Untersuchungen zur Oberfl&auml;chenbearbeitung und farbige Gestaltung von s&uuml;ddeutschen Alabasterskulpturen des 15. Jahrhunderts.<\/em><\/p>\n<p>Christine Reiner. <em>Sicherung von Kunst- und Kulturgut gegen Diebstahl unter konservatorischen, &auml;sthetischen und sicherheitseffektiven Gesichtspunkte<\/em>.<\/p>\n<p>Silke Schick. <em>Braunschweiger Lack<\/em>.<\/p>\n<h5>1994<\/h5>\n<p>Bele B&auml;tz. <em>Der Freiburger Maler Joseph Hermann (1732&ndash;1811) und seine Nachahmungen sp&auml;tgotischer Tafelbilder mit einem Katalog seiner bisher bekannten Gem&auml;lde<\/em>. <\/p>\n<p>Silvia Castro-Greune. E<em>ine Studie zu beidseitig bemalten Leinwandgem&auml;lden und deren restauratorische Bearbeitung<\/em>. <\/p>\n<p>Ursula Haller. <em>Studien zur Herstellung und Anwendung von L&ouml;sungsmitteln-Gelen, -Pasten und -Kompressen in der Restaurierung<\/em>.<br>\nPubliziert als Band 11 (1995) aus der Wei&szlig;en Reihe am Institut f&uuml;r Museumskunde an der Staatlichen Akademie der Bildenden K&uuml;nste Stuttgart.<\/p>\n<p>Peter Most. <em>Studien zur pastosen &Ouml;l- und Acrylmalerei in der zeitgen&ouml;ssischen Kunst<\/em>.<\/p>\n<p>Daniela Siessegger. <em>Barocke Klosterarbeiten. Technologische Untersuchungen an ausgew&auml;hlten Beispielen aus dem s&uuml;ddeutschen Raum <\/em>.<\/p>\n<h5>1993<\/h5>\n<p>Christiane Ehrenforth. <em>Aquarell- und Gouachefarben. Beitr&auml;ge zu Materialzusammensetzung, Ver&auml;nderung, Sch&auml;den <\/em>.<br>\nPubliziert als Band 10 (1994) aus der Wei&szlig;en Reihe am Institut f&uuml;r Museumskunde an der Staatlichen Akademie der Bildenden K&uuml;nste Stuttgart.<\/p>\n<p>Markus Freitag. <em>Das Cismarer Hochaltarretabel. Eine Untersuchung zu Form, Werkstoffen und Arbeitstechniken <\/em>.<br>\nPubliziert in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 9 (1995) Heft 2, S. 257&ndash;285.<\/p>\n<p>Sabine Hofmeister. <em>Der beabsichtigte Zufall und die gewollten Ver&auml;nderungen im malerischen Werk Sigmar Polkes<\/em>.<br>\nPubliziert in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 9 (1995) Heft 1, S. 50&ndash;77.<\/p>\n<p>Felicitas Klein. <em>Die Verwendung von Tageleuchtfarben in der modernen Kunst am Beispiel von Rupprecht Geiger, Kuno Gonschior und Siegfried Cremer<\/em>.<br>\nPubliziert in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 9 (1995) Heft 2, S. 349&ndash;365.<\/p>\n<p>Eleonore Lang. <em>Sgraffito in der Tafel- und Fassmalerei &ndash; Geschichtlicher &Uuml;berblick, Technologie &ndash; Anwendungsbeispiel<\/em>.<\/p>\n<p>Corina Nisse. <em>Acrylglas als k&uuml;nstlerisches Medium<\/em>.<\/p>\n<p>Dorothee Simmert. <em>Acrylharzk&uuml;nstlerfarben. Studien zu einem Malmaterial des 20. Jahrhunderts <\/em>.<br>\nPubliziert in<em> Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 9 (1995) Heft 1, S. 78&ndash;105.<\/p>\n<h5>1992<\/h5>\n<p>Bettina Gilsa. <em>Harzseifen zur Firnisabnahme<\/em>.<br>\nPubliziert in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 5 (1991) Heft 1, S. 48&ndash;58.<\/p>\n<p>Verena Graf. <em>Das &bdquo;Silberalt&auml;rchen&ldquo; aus der St.Andreaskirche in Wei&szlig;enburg<\/em>.<\/p>\n<p>Monika Kneer. <em>Nahrungsmittel als k&uuml;nstlerischer Werkstoff bei Dieter Roth<\/em>.<\/p>\n<p>Annette Schulz. <em>Gipsplastiken. Geschichte, Materialkunde, Reinigung von ungefassten Gispoberfl&auml;chen <\/em>.<\/p>\n<p>Sonja Seidel. <em>Die &bdquo;Curieuse Kunst= und Werck=Schul&ldquo;<\/em>.<\/p>\n<h5>1991<\/h5>\n<p>Monika Bartsch. <em>Der Firnis als Schlu&szlig;&uuml;berzug auf Tafel- und Leinwandgem&auml;lden. Ein Beitrag zur Entwicklungsgeschichte des Gem&auml;ldefirnisses von den Anf&auml;ngen bis zum Ende des 19. Jahrhunderts <\/em>.<\/p>\n<p>Maike Behrends. <em>Zur Verwendung heterogener Materialien im Werk von Joseph Beuys. Bedeutung &ndash; Verarbeitung &ndash; Konservierung <\/em>.<\/p>\n<p>Manfred K&ouml;nig. <em>Das heilige Grab im Hochaltar der Studienkirche in Dillingen<\/em>.<\/p>\n<p>B&auml;rbel Otterbeck. <em>Collage als Sonderform im Materialgef&uuml;ge der bildenden Kunst des 20. Jahrhunderts<\/em>.<\/p>\n<p>Rainer Preis. <em>Der Hochaltar der ehemaligen Klosterkirche von Karthaus-Pr&uuml;ll in Regensburg-Eine technologische Untersuchung<\/em>.<\/p>\n<p>Annette Scholtka. <em>Die maltechnische Anweisung des Theophilus Presbyter und ihre Gegen&uuml;berstellung mit naturwissenschaftlichen Untersuchungsbefunden<\/em>.<br>\nPubliziert in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 6 (1992) Heft 1, S. 1&ndash;53.<\/p>\n<p>Lulu Welther. <em>Die Geschichte und Herstellung des abendl&auml;ndischen K&uuml;nstlerpinsels<\/em>.<br>\nPubliziert als Band 8 (1992) aus der Wei&szlig;en Reihe am Institut f&uuml;r Museumskunde an der Staatlichen Akademie der Bildenden K&uuml;nste Stuttgart.<\/p>\n<p>Isabell Zillich. <em>&Uuml;ber das Begradigen von Holztafelgem&auml;lden<\/em>.<\/p>\n<h5>1990<\/h5>\n<p>Regina Borth. <em>Technologische Untersuchung zur &bdquo;T&uuml;rkenbeute&ldquo; aus dem Badischen Landesmuseum Karlsruhe<\/em>. <\/p>\n<p>Susanne Fischer und Christina Meyer-Cantinho Pereira. <em>Verzierungstechniken in der Fa&szlig;- und Tafelmalerei der Hoch- und Sp&auml;tgotik<\/em>.<\/p>\n<p>Anna-Esther Lubinus. <em>Anselm Kiefer- Anmerkungen zur Technologie und Ideologie eines zeitgen&ouml;ssischen K&uuml;nstlers<\/em>.<\/p>\n<p>Wolfgang Sch&uuml;tz. <em>Sikkative in der &Ouml;lmalerei des 19. Jahrhunderts<\/em>.<\/p>\n<h5>1989<\/h5>\n<p>Felix Muhle. <em>Der Kilchberger Altar. Untersuchungen zur Mal- und Fa&szlig;technik der Zeitblomwerkstatt <\/em>.<\/p>\n<p>Jan Schmitt und Peter Vogel. <em>Der Hochaltar der Schlo&szlig;kirche in Rastatt<\/em>.<br>\nPubliziert in der Wei&szlig;en Reihe des Institut f&uuml;r Museumskunde an der Staatlichen Akademie der Bildenden K&uuml;nste Stuttgart. Band 7, 1991. <\/p>\n<p>Mechthild Schulze-Zumloh. <em>Eine Sammlung von Malmaterialien aus dem fr&uuml;hen 19 Jahrhundert<\/em>.<\/p>\n<h5>1988<\/h5>\n<p>Petra Brunner. <em>Der R&uuml;ckseitenschutz von Gem&auml;lden<\/em>.<br>\nPubliziert unter Petra Achternkamp in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 5 (1991) Heft 1, S. 17&ndash;47.<\/p>\n<p>Michaela Burek. <em>Der Fiesole-Altar im Domschatz zu Hildesheim<\/em>.<br>\nPubliziert als Band 5 (1989) aus der Wei&szlig;en Reihe am Institut f&uuml;r Museumskunde an der Staatlichen Akademie der Bildenden K&uuml;nste Stuttgart.<\/p>\n<p>Susanne Rath. <em>Untersuchung von zwei Engelsskulpturen aus dem Thalheimer Altar um 1515<\/em>.<\/p>\n<p>Sybille Schmitt. <em>Zur Regenerierung von Gem&auml;ldefirnissen<\/em>.<br>\nPubliziert in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 4 (1990) Heft 1, S. 30&ndash;77.<\/p>\n<p>Peter Wolf.<em> Zur Fabrikation von Harz&ouml;lfarben<\/em>.<\/p>\n<h5>1987<\/h5>\n<p>Ursula Beerhorst. <em>Studien zur Maltechnik von Willi Baumeister<\/em>.<br>\nPubliziert in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 6 (1992) Heft 1, S. 55&ndash;80.<\/p>\n<p>Karl-Friedrich Bergmeier. <em>Ein Unterdrucktisch. Entwicklung, Konstruktion, Bau <\/em>.<\/p>\n<p>Corinna Gramatke. <em>F&uuml;nf europ&auml;ische Faltf&auml;cher des Rokoko<\/em>.<\/p>\n<p>Jutta Minor. <em>Studien zur europ&auml;ischen und ostasiatischen Lacktechnologie. Eine Gegen&uuml;berstellung <\/em>.<\/p>\n<h5>1986<\/h5>\n<p>Jens Baudisch und Anna Barbara Lorenzer. <em>Studien zur Maltechnik von Otto Dix<\/em>.<br>\nPubliziert in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 3 (1989) Heft 2, S. 321&ndash;362 und 3 (1989) Heft 1, S. 113&ndash;148.<\/p>\n<p>Bettina Grusenmeyer. <em>Studien zur Maltechnik von Oskar Schlemmer<\/em>.<\/p>\n<p>Rosa-Maria Pitta. <em>Das Teatrum sacrum des ehemaligen Augustiner-Chorherrenstiftes zu Die&szlig;en am Ammersee<\/em>.<\/p>\n<p>Hans Portsteffen. <em>Ein &auml;gyptisches Grabtuch aus dem 1. Jh. n. Chr <\/em>.<br>\nPubliziert in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 4 (1990) Heft 1, S. 77&ndash;89.<\/p>\n<h5>1985<\/h5>\n<p>Hans Becker. <em>Berliner Blau<\/em>. <\/p>\n<p>Hans Cabanis. <em>&Auml;gyptische Mumienportr&auml;ts<\/em>.<\/p>\n<p>Beatrix Haaf.<em> Industriell vorgrundierte Malleinen. Beitr&auml;ge zur Entwicklungs-, Handels- und Materialgeschichte <\/em>.<br>\nPubliziert in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 1 (1987) Heft 2, S. 7&ndash;71.<\/p>\n<p>Christoph M&uuml;ller. <em>Atelier\/Werkstatt-Einrichtung. Anforderungen-Angebot-Anregungen <\/em>.<\/p>\n<p>Inken St&ouml;&szlig;el. <em>Rote Farblacke in der Malerei<\/em>.<br>\nPubliziert als Band 1 (1986) aus der Wei&szlig;en Reihe am Institut f&uuml;r Museumskunde an der Staatlichen Akademie der Bildenden K&uuml;nste Stuttgart.<\/p>\n<p>Beate Zumkley. <em>Das Weseler Gerichtsbild &bdquo;Die Eideleistung&ldquo; von Derick Baegert<\/em>.<\/p>\n<h5>1984<\/h5>\n<p>Andreas Menrad. <em>Farbe und Architektur im fr&uuml;hen 20. Jahrhundert<\/em>. <\/p>\n<p>Ursula Tenge-Rietberg. <em>Holzuntersuchungen an schw&auml;bisch-allemanischen Skulpturen, 12. Jahrhundert bis 1460<\/em>.<br>\nPubliziert als Band 3 (1987) aus der Wei&szlig;en Reihe am Institut f&uuml;r Museumskunde an der Staatlichen Akademie der Bildenden K&uuml;nste Stuttgart.<\/p>\n<p>Ute Hack und Caroline Walter. <em>Der Herz-Jesu-Altar aus Ehningen-Gammerschwan<\/em>.<\/p>\n<p>Birgit Linnhof. <em>Metallauflagen und Farbafassungen auf Leder<\/em>.<\/p>\n<p>Babette Hartwieg. <em>Drei gefasste Holzskulpturen vom Ende des 13. Jahrhunderts im Kloster Wienhausen<\/em>.<br>\nPubliziert in <em>Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 2 (1988) Heft 2 S. 187&ndash;262.<\/p>\n<p>Birgit Kurz. <em>Die mechanischen Figuren des C. J. Tschuggmall im M&uuml;nchner Stadtmuseum<\/em>.<br>\nPubliziert in<em> Zeitschrift f&uuml;r Kunsttechnologie und Konservierung<\/em> 4 (1990) Heft 2, S. 165&ndash;192.<\/p>\n<h5>1983<\/h5>\n<p>Ursula Heiduk-Vrana. <em>Drei Schatullen aus dem Di&ouml;zesanmuseum Lerida &ndash; Ein Beitrag zu mittelalterlichen Verziertechniken<\/em>. <\/p>\n<p>Wolfgang Hansmann. <em>Ein Sp&auml;trenaissance-Altar aus Rhynen (Kr. Unna) von 1623. Gem&auml;lde und Fassung signiert: Henr.Strothman pictor. Technologische Untersuchung  <\/em>.<\/p>\n<p>Eva-Maria Popp. <em>Der Georgsaltar aus Scharenstetten (zur Mal- und Fasstechnik eines Altars aus dem Multscher-Umkreis)<\/em>.<\/p>\n<p>Barbara Wiemers. <em>Historische und moderne &Uuml;berlegungen zur Festigung und Malschichten<\/em>.<\/p>\n<h5>1982<\/h5>\n<p>Gloria Benner. <em>Der Marienschrein aus Schwarzenberg (1497) im W&uuml;rttembergischen Landesmuseum Stuttgart &ndash; eine technologische Untersuchung<\/em>. <\/p>\n<p>Ursula Fuhrer. <em>Klimaprobleme im Heimatmuseum dargestellt am Beispiel des K&ouml;nigsbronner Klosterhofs in Reutlingen.<\/em><\/p>\n<p>Volker Schaible. <em>Studien zur Gem&auml;lde&uuml;bertragung als &bdquo;Restauriermethode&ldquo; unter besonderer Ber&uuml;cksichtigung franz&ouml;sischer Quellen<\/em>.<br>\nPubliziert in <em>Maltechnik Restauro<\/em> 89 (1983) Heft 2 S. 96&ndash;129.<\/p>\n<p>Irmgard Schnell. <em>Zur Problematik der Restaurierung von Gnadenbildern, dargestellt am Beispiel des Villinger N&auml;gelinkreuzes<\/em>.<br>\nPubliziert im Verlag der Stadt Villingen-Schwenningen 1987.<\/p>\n<h5>1981<\/h5>\n<p>Ruth Baier. <em>Die Laser-Mikrospektralanalyse und ihre Anwendung in der Arch&auml;ometrie<\/em>. <\/p>\n<p>Werner Koch. <em>Technologische Untersuchungen h&ouml;lzerner Bildtr&auml;ger von Gem&auml;lden der Staatlichen Kunsthalle Karlsruhe<\/em>.<\/p>\n<p>Ulrich Schie&szlig;l. <em>&Uuml;ber unedle Blattmetalle und Metallpulver im 18. Jahrhundert (Studien zu ihrer Herstellung und Anwendung in der s&uuml;ddeutschen Staffierkunst anhand technischem Quellenmaterials und analytischer Belege)<\/em>.<\/p>\n<p>Gabriele Schmalhofer. <em>Die Technik der Miniaturmalerei nach einer franz&ouml;sischen Quellenschrift des 17. Jahrhunderts (Traite de Mignature des C. B.(Claude Boutet, 1672, Paris)<\/em>.<br>\nPubliziert als Band 6 (1990) aus der Wei&szlig;en Reihe am Institut f&uuml;r Museumskunde an der Staatlichen Akademie der Bildenden K&uuml;nste Stuttgart.<\/p>\n<p>Monika Urbancyk. <em>Unterzeichnung in der Tafelmalerei des 15. u. 16. Jahrhunderts &ndash; Ein Beitrag zur naturwissenschaftlichen Gem&auml;ldeuntersuchung mit Hilfe Infrarotstrahlen, dargestellt an Beispielen aus der Staatlichen Kunsthalle Karlsruhe  <\/em>.<\/p>\n<p>Thomas Wieck. <em>Glas als Bildtr&auml;ger. Historische Techniken und ihre Anwendung ohne Ber&uuml;cksichtigung von Schmelzverfahren <\/em>.<\/p>\n<h5>1980<\/h5>\n<p>Almuth Hase. <em>Vergleichende technologische, ikonografische und stilkritische Untersuchungen von Malerei an den Vorder- und R&uuml;ckseiten einiger Altarschreine des 15. und fr&uuml;hen 16. Jhs. aus dem s&uuml;ddeutschen Raum   <\/em>.<\/p>\n<p>Birgitt L&ouml;ffler. <em>M&ouml;glichkeiten der Retusche in der Wand- und Gew&ouml;lbemalerei. Ein Beitrag zur Auseinandersetzung mit dem Problem der Retusch <\/em>.<\/p>\n<p>Hildegard Willers. <em>Herstellung von tierischem Leim und seine Verwendung im Bereich der Tafel- und Fassmalerei nach Angaben deutschsprachiger Quellenliteratur des 16. bis zur Mitte des 19. Jhs<\/em>.<br>\nPubliziert als Band 2 (1986) aus der Wei&szlig;en Reihe am Institut f&uuml;r Museumskunde an der Staatlichen Akademie der Bildenden K&uuml;nste Stuttgart.<\/p>\n<h5>1979<\/h5>\n<p>Friederike Ellwanger. <em>Herstellung und Verwendung k&uuml;nstlicher gr&uuml;ner und blauer Kupferpigmente in der Malerei (mit Ausnahme arsenhaltiger Pigmente und Gr&uuml;nspan)<\/em>.<br>\nPubliziert als Band 4 (1988) aus der Wei&szlig;en Reihe am Institut f&uuml;r Museumskunde an der Staatlichen Akademie der Bildenden K&uuml;nste Stuttgart.<\/p>\n<p>Angelica Grunwald. <em>Zur Ikonenmalerei des K&uuml;nstlerdorfes Palech und verwandter Werkst&auml;tten im 18. u. 19. Jh. Eine maltechnische Studie   <\/em>.<\/p>\n<p>Anne Houseworth-Massing. F <em>ranz&ouml;sische Handschriften des 17. u. 18. Jhs. &uuml;ber Maltechnik aus der British Museum Library und der Victoria &amp; Albert Museum Library in London   <\/em>.<\/p>\n<p>Barbara Klempan. <em>Ein Beitrag zur Entwicklungsgeschichte der Keilrahmen am Staffelbild<\/em>.<\/p>\n<h5>1977<\/h5>\n<p>Erwin Emmerling. <em>&Uuml;ber wei&szlig;e Fassungen<\/em>. <\/p>\n<p>John Farnsworth. <em>Anwendung der Metallbildtr&auml;ger in der europ&auml;ischen Malerei<\/em>.<\/p>\n<p>Beatrix Graf. <em>Zur Pastellmalerei<\/em>.<\/p>\n<p>Brigitte Hecht. <em>Betrachtungen &uuml;ber Pressbrokate sowie Rekonstruktionsversuche unter besonderer Ber&uuml;cksichtigung des sog. Tegernseer Manuskripts<\/em>. Publiziert in <em>Maltechnik Restauro<\/em> 86 (1980) Heft 1, S. 22&ndash;49. <\/p>\n<p>Christina Hermann. <em>Ein Beitrag zur Geschichte und Technik der Wismutmalerei<\/em>.<\/p>\n<p>Andrea Kleberger.<em> Oberfl&auml;chenbearbeitung von Retabelskulpturen Tilman Riemenschneiders im Vergleich zu Strukturierungsarten in der sp&auml;tgotischen Fassmalerei. Ein Beitrag zum Problem der sogenannten &bdquo;ungefassten&ldquo; Holzskulptur <\/em>.<\/p>\n<p>Adelheid Wiesmann. <em>&Uuml;ber Jugendstilrahmen<\/em>.<\/p>\n<\/div>\n<\/div>\n\n        <\/div>\n    <\/div>\n\n\n<\/details>\n\n\n<\/details>\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h3>Research<\/h3>    <\/summary>\n    \n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<p>The degree programme is regularly involved in a variety of research projects in the fields of art technology and conservation science, and has an excellent network of contacts both at home and abroad.<\/p>\n\n        <\/div>\n    <\/div>\n\n\n\n<div class=\"teaser-list studies-list\">\n\n    \n        \n        <div class=\"block block-teaser block-card studies has-image block-link\">\n\n                            <a href=\"https:\/\/www.abk-stuttgart.de\/forschung\/konservierung-und-restaurierung-von-kulturgut\/cama\/\" title=\"Consortium for the Research of Artists\u2018 Materials Archives (CAMA)\" target=\"_self\" class=\"block-link__link\" aria-label=\"Consortium for the Research in Artists\u2019 Materials Archives (CAMA)\"><\/a>\n            \n            <div class=\"area image\">\n                \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_CAMA-320x320.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_CAMA.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_CAMA.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_CAMA.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_CAMA.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_CAMA.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_CAMA-320x320.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_CAMA-320x320.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_CAMA.jpg\"\n        alt=\"\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n            <\/div>\n\n            <div class=\"area text\">\n                                    <div class=\"title\">\n                        <span>Consortium for the Research in Artists\u2019 Materials Archives (CAMA)<\/span>\n                    <\/div>\n                                                                    <div class=\"description\">\n                        DFG-Network, 2024\u20132027\n                    <\/div>\n                \n            <\/div>\n\n            \n        <\/div>\n\n    \n        \n        <div class=\"block block-teaser block-card studies has-image block-link\">\n\n                            <a href=\"https:\/\/www.abk-stuttgart.de\/forschung\/konservierung-und-restaurierung-von-kulturgut\/innovation-oder-ersatz\/\" title=\"Innovation oder Ersatz? Kunsttechnologische Forschungen zu neuen Materialien zwischen 1930 und 1955 am Beispiel Willi Baumeisters\" target=\"_self\" class=\"block-link__link\" aria-label=\"Innovation or replacement? \"><\/a>\n            \n            <div class=\"area image\">\n                \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Baumeister-320x320.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Baumeister.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Baumeister.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Baumeister.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Baumeister.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Baumeister.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Baumeister-320x320.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Baumeister-320x320.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Baumeister.jpg\"\n        alt=\"\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n            <\/div>\n\n            <div class=\"area text\">\n                                    <div class=\"title\">\n                        <span>Innovation or replacement? <\/span>\n                    <\/div>\n                                                                    <div class=\"description\">\n                        Research into art technology and new materials between 1930 and 1955, using Willi Baumeister as a case study, 2022\u20132027\n                    <\/div>\n                \n            <\/div>\n\n            \n        <\/div>\n\n    \n        \n        <div class=\"block block-teaser block-card studies has-image block-link\">\n\n                            <a href=\"https:\/\/www.abk-stuttgart.de\/forschung\/promotion\/antike-enkaustik\/\" title=\"Der Einfluss der antiken Enkaustik auf Wachsmalverfahren in der Staffeleimalerei des sp\u00e4ten 19. und fr\u00fchen 20. Jahrhunderts\" target=\"_self\" class=\"block-link__link\" aria-label=\"The Influence of Ancient Encaustic on Wax-Painting Techniques in Easel Painting of the Late 19th and Early 20th Centuries  \"><\/a>\n            \n            <div class=\"area image\">\n                \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Enkaustik-320x320.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Enkaustik.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Enkaustik.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Enkaustik.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Enkaustik.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Enkaustik.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Enkaustik-320x320.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Enkaustik-320x320.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/12\/Kachel_Enkaustik.jpg\"\n        alt=\"\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n            <\/div>\n\n            <div class=\"area text\">\n                                    <div class=\"title\">\n                        <span>The Influence of Ancient Encaustic on Wax-Painting Techniques in Easel Painting of the Late 19th and Early 20th Centuries  <\/span>\n                    <\/div>\n                                                                    <div class=\"description\">\n                        Elisabeth Fugmann\u2019s PhD thesis project\n                    <\/div>\n                \n            <\/div>\n\n            \n        <\/div>\n\n    \n<\/div>\n\n\n<\/details>\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h3>Doctoral programme<\/h3>    <\/summary>\n    \n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<div id=\"c15264\" class=\"frame frame-custom-100 frame-toggle frame-type-text frame-layout-0 toggle open\">\n<p>ABK Stuttgart has been offering doctoral programmes since 2002. It provides graduates of ABK Stuttgart and other universities with the opportunity, following completion of their Master&rsquo;s thesis, to devote themselves to a multi-year research project and to make original contributions to the still nascent but dynamically developing field of conservation science. <\/p>\n<p>Anyone wishing to pursue an academic career following their Master&rsquo;s degree has the opportunity to undertake a PhD at the ABK in the Conservation and Restoration of Paintings and Polychrome Sculptures programme. If you are interested in pursuing such a PhD, please contact the programme director. <\/p>\n<p>The PhD regulations and further information on the PhD process, funding opportunities and current and completed PhD projects can be found under &lsquo;<a href=\"https:\/\/www.abk-stuttgart.de\/?post_type=programme&amp;p=566\" target=\"_blank\" rel=\"noopener\">Doctoral programme<\/a>&rsquo;.<\/p>\n<\/div>\n\n        <\/div>\n    <\/div>\n\n\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h4>Ongoing PhD projects<\/h4>    <\/summary>\n    \n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<p>Elisabeth Fugmann: <em>The influence of ancient encaustic painting on wax-painting techniques in easel painting of the late 19th and early 20th centuries  <\/em> (Prof. Dr. Wibke Neugebauer)<\/p>\n\n        <\/div>\n    <\/div>\n\n\n<\/details>\n\n\n\n<details class=\"block-bundle collapse-section collapsed\">\n    <summary class=\"block block-subsection-title\">\n        <h4>Completed PhDs<\/h4>    <\/summary>\n    \n<\/details>\n\n\n<\/details>\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h3>Further Information<\/h3>    <\/summary>\n    \n\n<div class=\"teaser-list studies-list\">\n\n    \n        \n        <div class=\"block block-teaser block-card studies has-image block-link\">\n\n                            <a href=\"https:\/\/www.abk-stuttgart.de\/forschung\/institut-fuer-konservierungswissenschaften\/\" title=\"Institut f\u00fcr Konservierungswissenschaften\" target=\"_self\" class=\"block-link__link\" aria-label=\"Institute for Conservation Sciences\"><\/a>\n            \n            <div class=\"area image\">\n                \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/11\/Kachel_Institut_fuer_Konservierungswissenschaften-320x320.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/11\/Kachel_Institut_fuer_Konservierungswissenschaften.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/11\/Kachel_Institut_fuer_Konservierungswissenschaften.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/11\/Kachel_Institut_fuer_Konservierungswissenschaften.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/11\/Kachel_Institut_fuer_Konservierungswissenschaften.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/11\/Kachel_Institut_fuer_Konservierungswissenschaften.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/11\/Kachel_Institut_fuer_Konservierungswissenschaften.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/11\/Kachel_Institut_fuer_Konservierungswissenschaften-320x320.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/11\/Kachel_Institut_fuer_Konservierungswissenschaften.jpg\"\n        alt=\"\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n            <\/div>\n\n            <div class=\"area text\">\n                                    <div class=\"title\">\n                        <span>Institute for Conservation Sciences<\/span>\n                    <\/div>\n                                                \n            <\/div>\n\n            \n        <\/div>\n\n    \n        \n        <div class=\"block block-teaser block-card studies has-image block-link\">\n\n                            <a href=\"https:\/\/www.abk-stuttgart.de\/forschung\/institut-fuer-konservierungswissenschaften\/labor\/\" title=\"Labor f\u00fcr Arch\u00e4ometrie und Konservierungswissenschaften\" target=\"_self\" class=\"block-link__link\" aria-label=\"Laboratory for Archaeometry and Conservation Sciences\"><\/a>\n            \n            <div class=\"area image\">\n                \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/Kachel_Labor_fuer_Archaeometrie.jpg_02-320x320.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/Kachel_Labor_fuer_Archaeometrie.jpg_02.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/Kachel_Labor_fuer_Archaeometrie.jpg_02.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/Kachel_Labor_fuer_Archaeometrie.jpg_02.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/Kachel_Labor_fuer_Archaeometrie.jpg_02.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/Kachel_Labor_fuer_Archaeometrie.jpg_02.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/Kachel_Labor_fuer_Archaeometrie.jpg_02-320x320.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/Kachel_Labor_fuer_Archaeometrie.jpg_02-320x320.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/Kachel_Labor_fuer_Archaeometrie.jpg_02.jpg\"\n        alt=\"\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n            <\/div>\n\n            <div class=\"area text\">\n                                    <div class=\"title\">\n                        <span>Laboratory for Archaeometry and Conservation Sciences<\/span>\n                    <\/div>\n                                                \n            <\/div>\n\n            \n        <\/div>\n\n    \n<\/div>\n\n\n\n    <div class=\"block block-text\">\n        <div class=\"fs-text\">\n            \n<p><a href=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/08\/ABK-Stuttgart_Konservierungswissenschaften.pdf\" class=\"link btn btn--default has-icon icon-left type-download\" target=\"_blank\">\n            <span class=\"shrink-to-fit\">Brosch&uuml;re Konservierungswissenschaften.pdf<\/span>\n            <span class=\"filetype\">pdf<\/span>\n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\">\n                <path d=\"M17.9497 10.5L13 15.4498L8.05025 10.5\" stroke=\"black\"><\/path>\n                <path d=\"M13 5V15\" stroke=\"black\"><\/path>\n                <path d=\"M20 20H5\" stroke=\"black\"><\/path>\n            <\/svg>\n        <\/a><\/p>\n\n        <\/div>\n    <\/div>\n\n\n<\/details>\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h3>News<\/h3>    <\/summary>\n    \n\n\n\n<div class=\"teaser-list studies-list\">\n\n    \n        \n        <div class=\"block block-teaser block-card studies has-image block-link\">\n\n                            <a href=\"https:\/\/www.abk-stuttgart.de\/forschung\/institut-fuer-konservierungswissenschaften\/labor\/\" title=\"\" target=\"_self\" class=\"block-link__link\" aria-label=\"ABK Painting Conservation\"><\/a>\n            \n            <div class=\"area image\">\n                \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/gemaelde_Kachel_Instagram-320x320.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/gemaelde_Kachel_Instagram.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/gemaelde_Kachel_Instagram.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/gemaelde_Kachel_Instagram.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/gemaelde_Kachel_Instagram.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/gemaelde_Kachel_Instagram.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/gemaelde_Kachel_Instagram-320x320.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/gemaelde_Kachel_Instagram-320x320.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/01\/gemaelde_Kachel_Instagram.jpg\"\n        alt=\"\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n            <\/div>\n\n            <div class=\"area text\">\n                                    <div class=\"title\">\n                        <span>ABK Painting Conservation<\/span>\n                    <\/div>\n                                                                    <div class=\"description\">\n                        Follow us on Instagram\n                    <\/div>\n                \n            <\/div>\n\n                            <div class=\"area buttons btn-group\">\n                    \n<a\n    href=\"https:\/\/www.instagram.com\/abk_gemaelde.restaurierung\/\"\n   class=\"link btn btn--default type-extern has-icon icon-right\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"extern\"\n      >\n\n            <span class=\"shrink-to-fit\">Instagram<\/span>\n    \n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M12 6.5L18 6.5L18 12.5\" stroke=\"black\" \/>\n    <path d=\"M9.5 15L18 6.5\" stroke=\"black\" \/>\n    <path d=\"M10.25 10H6V18.2H14.25V14\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n                <\/div>\n            \n        <\/div>\n\n    \n<\/div>\n\n\n<\/details>\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h3>Staff<\/h3>    <\/summary>\n    \n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h4>Professors<\/h4>    <\/summary>\n    \n\n<div class=\"block block-teaser block-link block-card person has-image has-backgroundcolor\" style=\"--color-bg: var(--color-coral);\">\n\n        <a href=\"https:\/\/www.abk-stuttgart.de\/person\/anna-von-reden\/\"\n        class=\"block-link__link\"\n        aria-label=\"Zur Personenseite von Anna von Reden\">\n    <\/a>\n\n                <div class=\"area image\">\n            \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/vonreden_portrait_abk_big-1.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/vonreden_portrait_abk_big-1.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/vonreden_portrait_abk_big-1.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/vonreden_portrait_abk_big-1.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/vonreden_portrait_abk_big-1.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/vonreden_portrait_abk_big-1.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/vonreden_portrait_abk_big-1.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/vonreden_portrait_abk_big-1.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/vonreden_portrait_abk_big-1.jpg\"\n        alt=\"Schwarz-Wei\u00df-Portr\u00e4t einer Frau mit zur\u00fcckgek\u00e4mmtem dunklem Haar, die ein dunkles Oberteil tr\u00e4gt und mit neutralem Gesichtsausdruck in die Kamera blickt.\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n        <\/div>\n    \n        <div class=\"area text\">\n\n                    <div class=\"meta-container\">\n                <span class=\"subhead top\">Prof. Dr.<\/span>\n            <\/div>\n        \n        <div class=\"title\">\n            <span>Anna von Reden<\/span>\n\n                    <\/div>\n\n                    <div class=\"description\">\n                <p>Professorin f\u00fcr Konservierung und Restaurierung von Gem\u00e4lden und gefassten Skulpturen in der Fachgruppe Konservierung-Restaurierung \/ Leiterin des Instituts f\u00fcr Konservierungswissenschaften<\/p>\n            <\/div>\n        \n                    <div class=\"description\">\n                <p>Au\u00dfenstelle Birkenwaldstra\u00dfe<\/p>\n            <\/div>\n        \n                <div class=\"btn-group\">\n\n            \n<a\n    href=\"tel:+4971128440-267\"\n   class=\"link btn btn--default type-phone has-icon icon-left fs-uppercase\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"phone\"\n      >\n\n            <span class=\"shrink-to-fit\">+49 711 28440-267<\/span>\n    \n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M16.3886 14.7105L19 18.6969L17.1097 19.9138C13.3307 20.482 10.6279 18.1526 8.843 15.4993C7.12395 12.8036 6.07668 9.40838 8.13738 6.21696L10.0277 5L12.6167 8.95233L9.8672 10.7225C11.134 13.1039 11.9599 14.3647 13.6392 16.4806L16.3886 14.7105Z\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"mailto:anna.vonreden@abk-stuttgart.de\"\n   class=\"link btn btn--default type-mail has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"mail\"\n      >\n\n            <span class=\"shrink-to-fit\">anna.vonreden@abk-stuttgart.de<\/span>\n    \n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18.1328 7.86621L12.4995 13.0662L6.86615 7.86621\" stroke=\"black\" \/>\n    <rect x=\"6.5\" y=\"7.5\" width=\"12\" height=\"9.4\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"\"\n   class=\"link btn btn--default type-download has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"download\"\n      >\n\n    \n            <span class=\"filetype\">VCF<\/span>\n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18 10.5L12.5 15L7 10.5\" stroke=\"black\" \/>\n    <path d=\"M12.5 6V15\" stroke=\"black\" \/>\n    <path d=\"M18 19H7\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n        <\/div>\n\n    <\/div>\n\n<\/div>\n\n\n<div class=\"block block-teaser block-link block-card person has-image has-backgroundcolor\" style=\"--color-bg: var(--color-coral);\">\n\n        <a href=\"https:\/\/www.abk-stuttgart.de\/person\/wibke-neugebauer\/\"\n        class=\"block-link__link\"\n        aria-label=\"Zur Personenseite von Wibke Neugebauer\">\n    <\/a>\n\n                <div class=\"area image\">\n            \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/neugebauer_portrait_abk_big-1.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/neugebauer_portrait_abk_big-1.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/neugebauer_portrait_abk_big-1.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/neugebauer_portrait_abk_big-1.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/neugebauer_portrait_abk_big-1.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/neugebauer_portrait_abk_big-1.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/neugebauer_portrait_abk_big-1.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/neugebauer_portrait_abk_big-1.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/neugebauer_portrait_abk_big-1.jpg\"\n        alt=\"Schwarz-Wei\u00df-Portr\u00e4t einer Frau mit glattem, kinnlangem Haar, Brille und Blazer, die in die Kamera blickt und leicht l\u00e4chelt.\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n        <\/div>\n    \n        <div class=\"area text\">\n\n                    <div class=\"meta-container\">\n                <span class=\"subhead top\">Prof. Dr.<\/span>\n            <\/div>\n        \n        <div class=\"title\">\n            <span>Wibke Neugebauer<\/span>\n\n                    <\/div>\n\n                    <div class=\"description\">\n                <p>Professorin f\u00fcr Konservierung und Restaurierung von Gem\u00e4lden und gefassten Skulpturen in der Fachgruppe Konservierung-Restaurierung \/ Vorsitzende der Studienkommission Konservierung und Restaurierung<\/p>\n            <\/div>\n        \n                    <div class=\"description\">\n                <p>Au\u00dfenstelle Birkenwaldstra\u00dfe<\/p>\n            <\/div>\n        \n                <div class=\"btn-group\">\n\n            \n<a\n    href=\"tel:+4971128440-260\"\n   class=\"link btn btn--default type-phone has-icon icon-left fs-uppercase\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"phone\"\n      >\n\n            <span class=\"shrink-to-fit\">+49 711 28440-260<\/span>\n    \n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M16.3886 14.7105L19 18.6969L17.1097 19.9138C13.3307 20.482 10.6279 18.1526 8.843 15.4993C7.12395 12.8036 6.07668 9.40838 8.13738 6.21696L10.0277 5L12.6167 8.95233L9.8672 10.7225C11.134 13.1039 11.9599 14.3647 13.6392 16.4806L16.3886 14.7105Z\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"mailto:wibke.neugebauer@abk-stuttgart.de\"\n   class=\"link btn btn--default type-mail has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"mail\"\n      >\n\n            <span class=\"shrink-to-fit\">wibke.neugebauer@abk-stuttgart.de<\/span>\n    \n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18.1328 7.86621L12.4995 13.0662L6.86615 7.86621\" stroke=\"black\" \/>\n    <rect x=\"6.5\" y=\"7.5\" width=\"12\" height=\"9.4\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"\"\n   class=\"link btn btn--default type-download has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"download\"\n      >\n\n    \n            <span class=\"filetype\">VCF<\/span>\n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18 10.5L12.5 15L7 10.5\" stroke=\"black\" \/>\n    <path d=\"M12.5 6V15\" stroke=\"black\" \/>\n    <path d=\"M18 19H7\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n        <\/div>\n\n    <\/div>\n\n<\/div>\n\n\n<div class=\"block block-teaser block-link block-card person has-image has-backgroundcolor\" style=\"--color-bg: var(--color-coral);\">\n\n        <a href=\"https:\/\/www.abk-stuttgart.de\/person\/nils-buettner\/\"\n        class=\"block-link__link\"\n        aria-label=\"Zur Personenseite von Nils B\u00fcttner\">\n    <\/a>\n\n                <div class=\"area image\">\n            \n\n    \n<figure class=\"ratio--portrait\" style=\"--ratio:0.95833333333333\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/buettner_portrait_abk_big-1.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/buettner_portrait_abk_big-1.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/buettner_portrait_abk_big-1.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/buettner_portrait_abk_big-1.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/buettner_portrait_abk_big-1.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/buettner_portrait_abk_big-1.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/buettner_portrait_abk_big-1.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/buettner_portrait_abk_big-1.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/buettner_portrait_abk_big-1.jpg\"\n        alt=\"Ein Mann mit kurzen hellen Haaren, Brille und dunkler Jacke blickt vor schwarzem Hintergrund in die Kamera.\"\n        data-ratio=\"0.95833333333333\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n        <\/div>\n    \n        <div class=\"area text\">\n\n                    <div class=\"meta-container\">\n                <span class=\"subhead top\">Prof. Dr.<\/span>\n            <\/div>\n        \n        <div class=\"title\">\n            <span>Nils B\u00fcttner<\/span>\n\n                    <\/div>\n\n                    <div class=\"description\">\n                <p>Professor f\u00fcr Mittlere und Neuere Kunstgeschichte in den Fachgruppen Konservierung-Restaurierung und Kunstwissenschaften-\u00c4sthetik \/ Leiter der Kunstsammlung und des Archivs \/ Stellvertretender Vorsitzender der Fachgruppe Kunstwissenschaften-\u00c4sthetik \/ Vorsitzender der Studienkommission Kunstwissenschaften-\u00c4sthetik<\/p>\n            <\/div>\n        \n                    <div class=\"description\">\n                <p>Campus Wei\u00dfenhof, Altbau, Raum 317<\/p>\n            <\/div>\n        \n                <div class=\"btn-group\">\n\n            \n<a\n    href=\"tel:+4971128440-124\"\n   class=\"link btn btn--default type-phone has-icon icon-left fs-uppercase\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"phone\"\n      >\n\n            <span class=\"shrink-to-fit\">+49 711 28440-124<\/span>\n    \n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M16.3886 14.7105L19 18.6969L17.1097 19.9138C13.3307 20.482 10.6279 18.1526 8.843 15.4993C7.12395 12.8036 6.07668 9.40838 8.13738 6.21696L10.0277 5L12.6167 8.95233L9.8672 10.7225C11.134 13.1039 11.9599 14.3647 13.6392 16.4806L16.3886 14.7105Z\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"mailto:nils.buettner@abk-stuttgart.de\"\n   class=\"link btn btn--default type-mail has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"mail\"\n      >\n\n            <span class=\"shrink-to-fit\">nils.buettner@abk-stuttgart.de<\/span>\n    \n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18.1328 7.86621L12.4995 13.0662L6.86615 7.86621\" stroke=\"black\" \/>\n    <rect x=\"6.5\" y=\"7.5\" width=\"12\" height=\"9.4\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"\"\n   class=\"link btn btn--default type-download has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"download\"\n      >\n\n    \n            <span class=\"filetype\">VCF<\/span>\n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18 10.5L12.5 15L7 10.5\" stroke=\"black\" \/>\n    <path d=\"M12.5 6V15\" stroke=\"black\" \/>\n    <path d=\"M18 19H7\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n        <\/div>\n\n    <\/div>\n\n<\/div>\n\n<\/details>\n\n\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h4>Academic associates<\/h4>    <\/summary>\n    \n\n<div class=\"block block-teaser block-link block-card person has-image has-backgroundcolor\" style=\"--color-bg: var(--color-coral);\">\n\n        <a href=\"https:\/\/www.abk-stuttgart.de\/person\/dipl-rest-mona-konietzny\/\"\n        class=\"block-link__link\"\n        aria-label=\"Zur Personenseite von Mona Konietzny\">\n    <\/a>\n\n                <div class=\"area image\">\n            \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/10\/P_KonietznyMona_001_sw-320x320.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/10\/P_KonietznyMona_001_sw.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/10\/P_KonietznyMona_001_sw.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/10\/P_KonietznyMona_001_sw.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/10\/P_KonietznyMona_001_sw.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/10\/P_KonietznyMona_001_sw.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/10\/P_KonietznyMona_001_sw-320x320.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/10\/P_KonietznyMona_001_sw-320x320.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/10\/P_KonietznyMona_001_sw.jpg\"\n        alt=\"A woman with short, wavy hair and a side-swept fringe looks at the camera, smiling slightly. She is wearing a dark top and the background is plain and light-colored.\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n        <\/div>\n    \n        <div class=\"area text\">\n\n                    <div class=\"meta-container\">\n                <span class=\"subhead top\">Dipl.-Rest.<\/span>\n            <\/div>\n        \n        <div class=\"title\">\n            <span>Mona Konietzny<\/span>\n\n                    <\/div>\n\n                    <div class=\"description\">\n                <p>Akademische Mitarbeiterin im Studiengang Konservierung und Restaurierung von Gem\u00e4lden und gefassten Skulpturen in der Fachgruppe Konservierung-Restaurierung<\/p>\n            <\/div>\n        \n                    <div class=\"description\">\n                <p>Campus Wei\u00dfenhof, Altbau, Raum 208<\/p>\n            <\/div>\n        \n                <div class=\"btn-group\">\n\n            \n<a\n    href=\"tel:+4971128440-266\"\n   class=\"link btn btn--default type-phone has-icon icon-left fs-uppercase\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"phone\"\n      >\n\n            <span class=\"shrink-to-fit\">+49 711 28440-266<\/span>\n    \n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M16.3886 14.7105L19 18.6969L17.1097 19.9138C13.3307 20.482 10.6279 18.1526 8.843 15.4993C7.12395 12.8036 6.07668 9.40838 8.13738 6.21696L10.0277 5L12.6167 8.95233L9.8672 10.7225C11.134 13.1039 11.9599 14.3647 13.6392 16.4806L16.3886 14.7105Z\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"mailto:mona.konietzny@abk-stuttgart.de\"\n   class=\"link btn btn--default type-mail has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"mail\"\n      >\n\n            <span class=\"shrink-to-fit\">mona.konietzny@abk-stuttgart.de<\/span>\n    \n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18.1328 7.86621L12.4995 13.0662L6.86615 7.86621\" stroke=\"black\" \/>\n    <rect x=\"6.5\" y=\"7.5\" width=\"12\" height=\"9.4\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"\"\n   class=\"link btn btn--default type-download has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"download\"\n      >\n\n    \n            <span class=\"filetype\">VCF<\/span>\n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18 10.5L12.5 15L7 10.5\" stroke=\"black\" \/>\n    <path d=\"M12.5 6V15\" stroke=\"black\" \/>\n    <path d=\"M18 19H7\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n        <\/div>\n\n    <\/div>\n\n<\/div>\n\n\n<div class=\"block block-teaser block-link block-card person has-image has-backgroundcolor\" style=\"--color-bg: var(--color-coral);\">\n\n        <a href=\"https:\/\/www.abk-stuttgart.de\/person\/anne-kuenzig-m-sc\/\"\n        class=\"block-link__link\"\n        aria-label=\"Zur Personenseite von Anne K\u00fcnzig\">\n    <\/a>\n\n                <div class=\"area image\">\n            \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/themes\/abk\/assets\/img\/dummy-person.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/themes\/abk\/assets\/img\/dummy-person.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/themes\/abk\/assets\/img\/dummy-person.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/themes\/abk\/assets\/img\/dummy-person.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/themes\/abk\/assets\/img\/dummy-person.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/themes\/abk\/assets\/img\/dummy-person.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/themes\/abk\/assets\/img\/dummy-person.jpg\"\n        alt=\"\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n        <\/div>\n    \n        <div class=\"area text\">\n\n                    <div class=\"meta-container\">\n                <span class=\"subhead top\">Dipl.-Rest.<\/span>\n            <\/div>\n        \n        <div class=\"title\">\n            <span>Anne K\u00fcnzig<\/span>\n\n                    <\/div>\n\n                    <div class=\"description\">\n                <p>Akademische Mitarbeiterin in Teilzeitvertretung im Studiengang Konservierung und Restaurierung von Gem\u00e4lden und gefassten Skulpturen in der Fachgruppe Konservierung-Restaurierung<\/p>\n            <\/div>\n        \n        \n                <div class=\"btn-group\">\n\n            \n<a\n    href=\"mailto:anne.kuenzig@abk-stuttgart.de\"\n   class=\"link btn btn--default type-mail has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"mail\"\n      >\n\n            <span class=\"shrink-to-fit\">anne.kuenzig@abk-stuttgart.de<\/span>\n    \n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18.1328 7.86621L12.4995 13.0662L6.86615 7.86621\" stroke=\"black\" \/>\n    <rect x=\"6.5\" y=\"7.5\" width=\"12\" height=\"9.4\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"\"\n   class=\"link btn btn--default type-download has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"download\"\n      >\n\n    \n            <span class=\"filetype\">VCF<\/span>\n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18 10.5L12.5 15L7 10.5\" stroke=\"black\" \/>\n    <path d=\"M12.5 6V15\" stroke=\"black\" \/>\n    <path d=\"M18 19H7\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n        <\/div>\n\n    <\/div>\n\n<\/div>\n\n\n<div class=\"block block-teaser block-link block-card person has-image has-backgroundcolor\" style=\"--color-bg: var(--color-coral);\">\n\n        <a href=\"https:\/\/www.abk-stuttgart.de\/person\/katja-lorenz-m-a\/\"\n        class=\"block-link__link\"\n        aria-label=\"Zur Personenseite von Katja Lorenz\">\n    <\/a>\n\n                <div class=\"area image\">\n            \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2026\/04\/Lorenz_Katja_MartinLutz_02_1_sw-320x320.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2026\/04\/Lorenz_Katja_MartinLutz_02_1_sw.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2026\/04\/Lorenz_Katja_MartinLutz_02_1_sw.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2026\/04\/Lorenz_Katja_MartinLutz_02_1_sw.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2026\/04\/Lorenz_Katja_MartinLutz_02_1_sw.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2026\/04\/Lorenz_Katja_MartinLutz_02_1_sw.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2026\/04\/Lorenz_Katja_MartinLutz_02_1_sw-320x320.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2026\/04\/Lorenz_Katja_MartinLutz_02_1_sw-320x320.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2026\/04\/Lorenz_Katja_MartinLutz_02_1_sw.jpg\"\n        alt=\"Eine Person mit kurzen dunklen Haaren, die ein gemustertes Hemd und kleine Ohrringe tr\u00e4gt, schaut in diesem Schwarz-Wei\u00df-Portr\u00e4t in die Kamera und l\u00e4chelt leicht.\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n        <\/div>\n    \n        <div class=\"area text\">\n\n        \n        <div class=\"title\">\n            <span>Katja Lorenz<\/span>\n\n                            <span class=\"title__degree\">M.A.<\/span>\n                    <\/div>\n\n                    <div class=\"description\">\n                <p>Akademische Mitarbeiterin im Studiengang Konservierung und Restaurierung von Gem\u00e4lden und gefassten Skulpturen in der Fachgruppe Konservierung-Restaurierung<\/p>\n            <\/div>\n        \n        \n                <div class=\"btn-group\">\n\n            \n<a\n    href=\"tel:+4971128440-0\"\n   class=\"link btn btn--default type-phone has-icon icon-left fs-uppercase\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"phone\"\n      >\n\n            <span class=\"shrink-to-fit\">+49 711 28440-0<\/span>\n    \n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M16.3886 14.7105L19 18.6969L17.1097 19.9138C13.3307 20.482 10.6279 18.1526 8.843 15.4993C7.12395 12.8036 6.07668 9.40838 8.13738 6.21696L10.0277 5L12.6167 8.95233L9.8672 10.7225C11.134 13.1039 11.9599 14.3647 13.6392 16.4806L16.3886 14.7105Z\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"mailto:katja.lorenz@abk-stuttgart.de\"\n   class=\"link btn btn--default type-mail has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"mail\"\n      >\n\n            <span class=\"shrink-to-fit\">katja.lorenz@abk-stuttgart.de<\/span>\n    \n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18.1328 7.86621L12.4995 13.0662L6.86615 7.86621\" stroke=\"black\" \/>\n    <rect x=\"6.5\" y=\"7.5\" width=\"12\" height=\"9.4\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"\"\n   class=\"link btn btn--default type-download has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"download\"\n      >\n\n    \n            <span class=\"filetype\">VCF<\/span>\n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18 10.5L12.5 15L7 10.5\" stroke=\"black\" \/>\n    <path d=\"M12.5 6V15\" stroke=\"black\" \/>\n    <path d=\"M18 19H7\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n        <\/div>\n\n    <\/div>\n\n<\/div>\n\n\n<div class=\"block block-teaser block-link block-card person has-image has-backgroundcolor\" style=\"--color-bg: var(--color-coral);\">\n\n        <a href=\"https:\/\/www.abk-stuttgart.de\/person\/dipl-rest-eva-tasch\/\"\n        class=\"block-link__link\"\n        aria-label=\"Zur Personenseite von Eva Tasch\">\n    <\/a>\n\n                <div class=\"area image\">\n            \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/10\/P_TaschEva_MartinLutz_sw-320x320.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/10\/P_TaschEva_MartinLutz_sw.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/10\/P_TaschEva_MartinLutz_sw.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/10\/P_TaschEva_MartinLutz_sw.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/10\/P_TaschEva_MartinLutz_sw.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/10\/P_TaschEva_MartinLutz_sw.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/10\/P_TaschEva_MartinLutz_sw-320x320.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/10\/P_TaschEva_MartinLutz_sw-320x320.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2025\/10\/P_TaschEva_MartinLutz_sw.jpg\"\n        alt=\"Black-and-white portrait of a woman with glasses, light-colored jacket, patterned earrings, and hair tied up in a messy bun, facing the camera with a neutral expression.\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n        <\/div>\n    \n        <div class=\"area text\">\n\n                    <div class=\"meta-container\">\n                <span class=\"subhead top\">Dipl.-Rest.<\/span>\n            <\/div>\n        \n        <div class=\"title\">\n            <span>Eva Tasch<\/span>\n\n                    <\/div>\n\n                    <div class=\"description\">\n                <p>Akademische Mitarbeiterin im Studiengang Konservierung und Restaurierung von Gem\u00e4lden und gefassten Skulpturen in der Fachgruppe Konservierung-Restaurierung<\/p>\n            <\/div>\n        \n                    <div class=\"description\">\n                <p>Campus Wei\u00dfenhof, Altbau, Raum 208<\/p>\n            <\/div>\n        \n                <div class=\"btn-group\">\n\n            \n<a\n    href=\"tel:+4971128440-266\"\n   class=\"link btn btn--default type-phone has-icon icon-left fs-uppercase\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"phone\"\n      >\n\n            <span class=\"shrink-to-fit\">+49 711 28440-266<\/span>\n    \n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M16.3886 14.7105L19 18.6969L17.1097 19.9138C13.3307 20.482 10.6279 18.1526 8.843 15.4993C7.12395 12.8036 6.07668 9.40838 8.13738 6.21696L10.0277 5L12.6167 8.95233L9.8672 10.7225C11.134 13.1039 11.9599 14.3647 13.6392 16.4806L16.3886 14.7105Z\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"mailto:eva.tasch@abk-stuttgart.de\"\n   class=\"link btn btn--default type-mail has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"mail\"\n      >\n\n            <span class=\"shrink-to-fit\">eva.tasch@abk-stuttgart.de<\/span>\n    \n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18.1328 7.86621L12.4995 13.0662L6.86615 7.86621\" stroke=\"black\" \/>\n    <rect x=\"6.5\" y=\"7.5\" width=\"12\" height=\"9.4\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"\"\n   class=\"link btn btn--default type-download has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"download\"\n      >\n\n    \n            <span class=\"filetype\">VCF<\/span>\n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18 10.5L12.5 15L7 10.5\" stroke=\"black\" \/>\n    <path d=\"M12.5 6V15\" stroke=\"black\" \/>\n    <path d=\"M18 19H7\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n        <\/div>\n\n    <\/div>\n\n<\/div>\n\n\n<div class=\"block block-teaser block-link block-card person has-image has-backgroundcolor\" style=\"--color-bg: var(--color-coral);\">\n\n        <a href=\"https:\/\/www.abk-stuttgart.de\/person\/sanja-hilscher\/\"\n        class=\"block-link__link\"\n        aria-label=\"Zur Personenseite von Sanja Hilscher\">\n    <\/a>\n\n                <div class=\"area image\">\n            \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/themes\/abk\/assets\/img\/dummy-person.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/themes\/abk\/assets\/img\/dummy-person.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/themes\/abk\/assets\/img\/dummy-person.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/themes\/abk\/assets\/img\/dummy-person.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/themes\/abk\/assets\/img\/dummy-person.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/themes\/abk\/assets\/img\/dummy-person.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/themes\/abk\/assets\/img\/dummy-person.jpg\"\n        alt=\"\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n        <\/div>\n    \n        <div class=\"area text\">\n\n        \n        <div class=\"title\">\n            <span>Sanja Hilscher<\/span>\n\n                            <span class=\"title__degree\">M.A.<\/span>\n                    <\/div>\n\n                    <div class=\"description\">\n                <p>Akademische Mitarbeiterin f\u00fcr Mittlere und Neuere Kunstgeschichte in den Fachgruppen Konservierung-Restaurierung und Kunstwissenschaften-\u00c4sthetik \/ Mitglied des Senats<\/p>\n            <\/div>\n        \n                    <div class=\"description\">\n                <p>Campus Wei\u00dfenhof, Altbau, Raum 316B<\/p>\n            <\/div>\n        \n                <div class=\"btn-group\">\n\n            \n<a\n    href=\"mailto:sanja.hilscher@abk-stuttgart.de\"\n   class=\"link btn btn--default type-mail has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"mail\"\n      >\n\n            <span class=\"shrink-to-fit\">sanja.hilscher@abk-stuttgart.de<\/span>\n    \n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18.1328 7.86621L12.4995 13.0662L6.86615 7.86621\" stroke=\"black\" \/>\n    <rect x=\"6.5\" y=\"7.5\" width=\"12\" height=\"9.4\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"\"\n   class=\"link btn btn--default type-download has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"download\"\n      >\n\n    \n            <span class=\"filetype\">VCF<\/span>\n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18 10.5L12.5 15L7 10.5\" stroke=\"black\" \/>\n    <path d=\"M12.5 6V15\" stroke=\"black\" \/>\n    <path d=\"M18 19H7\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n        <\/div>\n\n    <\/div>\n\n<\/div>\n\n<\/details>\n\n\n<\/details>\n\n<details class=\"block-bundle collapse-section\">\n    <summary class=\"block block-subsection-title\">\n        <h3>Contact<\/h3>    <\/summary>\n    \n\n<div class=\"block block-teaser block-link block-card person has-image has-backgroundcolor\" style=\"--color-bg: var(--color-coral);\">\n\n        <a href=\"https:\/\/www.abk-stuttgart.de\/person\/nina-lanzinger\/\"\n        class=\"block-link__link\"\n        aria-label=\"Zur Personenseite von Nina Lanzinger\">\n    <\/a>\n\n                <div class=\"area image\">\n            \n\n    \n<figure class=\"ratio--landscape\" style=\"--ratio:1\">\n\n    <img decoding=\"async\"\n        class=\"lozad\"\n        src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\"\n        data-src=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/nina-lanzinger_potrait_abk_big-1.jpg\"\n        data-srcset=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/nina-lanzinger_potrait_abk_big-1.jpg 2048w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/nina-lanzinger_potrait_abk_big-1.jpg 1600w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/nina-lanzinger_potrait_abk_big-1.jpg 1440w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/nina-lanzinger_potrait_abk_big-1.jpg 1024w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/nina-lanzinger_potrait_abk_big-1.jpg 800w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/nina-lanzinger_potrait_abk_big-1.jpg 640w, https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/nina-lanzinger_potrait_abk_big-1.jpg 320w\"\n        data-sizes=\"100vw\"\n        data-iesrc=\"https:\/\/www.abk-stuttgart.de\/wp-content\/uploads\/2024\/05\/nina-lanzinger_potrait_abk_big-1.jpg\"\n        alt=\"Eine Frau mit langen glatten Haaren l\u00e4chelt vor einem dunklen Hintergrund in die Kamera.\"\n        data-ratio=\"1\"\n        style=\"display:block;min-height:1rem;opacity:1;\"\n    \/>\n\n<\/figure>\n\n\n        <\/div>\n    \n        <div class=\"area text\">\n\n                    <div class=\"meta-container\">\n                <span class=\"subhead top\">Dipl.-Betriebswirtin (BA) <\/span>\n            <\/div>\n        \n        <div class=\"title\">\n            <span>Nina Lanzinger<\/span>\n\n                    <\/div>\n\n                    <div class=\"description\">\n                <p>Sekretariat der Fachgruppe Konservierung-Restaurierung (Studieng\u00e4nge Gem\u00e4lderestaurierung, Objektrestaurierung und Medienrestaurierung)<\/p>\n            <\/div>\n        \n                    <div class=\"description\">\n                <p>Au\u00dfenstelle Birkenwaldstra\u00dfe<\/p>\n            <\/div>\n        \n                <div class=\"btn-group\">\n\n            \n<a\n    href=\"tel:+4971128440-260\"\n   class=\"link btn btn--default type-phone has-icon icon-left fs-uppercase\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"phone\"\n      >\n\n            <span class=\"shrink-to-fit\">+49 711 28440-260<\/span>\n    \n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M16.3886 14.7105L19 18.6969L17.1097 19.9138C13.3307 20.482 10.6279 18.1526 8.843 15.4993C7.12395 12.8036 6.07668 9.40838 8.13738 6.21696L10.0277 5L12.6167 8.95233L9.8672 10.7225C11.134 13.1039 11.9599 14.3647 13.6392 16.4806L16.3886 14.7105Z\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"mailto:nina.lanzinger@abk-stuttgart.de\"\n   class=\"link btn btn--default type-mail has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"mail\"\n      >\n\n            <span class=\"shrink-to-fit\">nina.lanzinger@abk-stuttgart.de<\/span>\n    \n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18.1328 7.86621L12.4995 13.0662L6.86615 7.86621\" stroke=\"black\" \/>\n    <rect x=\"6.5\" y=\"7.5\" width=\"12\" height=\"9.4\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n<a\n    href=\"\"\n   class=\"link btn btn--default type-download has-icon icon-left\"\n    target=\"_blank\" rel=\"noopener noreferrer\"   data-type=\"download\"\n      >\n\n    \n            <span class=\"filetype\">VCF<\/span>\n    \n    \n            <svg width=\"25\" height=\"25\" viewBox=\"0 0 25 25\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n    <path d=\"M18 10.5L12.5 15L7 10.5\" stroke=\"black\" \/>\n    <path d=\"M12.5 6V15\" stroke=\"black\" \/>\n    <path d=\"M18 19H7\" stroke=\"black\" \/>\n<\/svg>\n    <\/a>\n\n        <\/div>\n\n    <\/div>\n\n<\/div>\n\n<\/details>\n","protected":false},"author":13,"featured_media":24677,"parent":0,"menu_order":21,"template":"","class_list":["post-44867","programme","type-programme","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/programme\/44867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/programme"}],"about":[{"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/types\/programme"}],"author":[{"embeddable":true,"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/users\/13"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/media\/24677"}],"wp:attachment":[{"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/media?parent=44867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}