{"id":44942,"date":"2024-07-11T18:52:36","date_gmt":"2024-07-11T16:52:36","guid":{"rendered":"https:\/\/www.abk-stuttgart.de\/research\/conservation-and-restoration-of-cultural-heritage\/"},"modified":"2026-10-12T13:33:31","modified_gmt":"2026-10-12T11:33:31","slug":"conservation-and-restoration-of-cultural-heritage","status":"publish","type":"research","link":"https:\/\/www.abk-stuttgart.de\/en\/research\/conservation-and-restoration-of-cultural-heritage\/","title":{"rendered":"Conservation and Restoration of Cultural Heritage"},"content":{"rendered":"\n
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\n The Oddy-Torium \u2013 Testing of restoration materials<\/span>\n <\/div>\n
\n Gef\u00f6rdert durch die Deutsche Bundesstiftung Umwelt (DBU)\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n \n
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\n\n \"\"\n\n\n<\/figure>\n\n\n <\/div>\n\n
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\n Die materielle Ver\u00e4nderung von Kunst durch Transporte \u2013 3D_artscan<\/span>\n <\/div>\n
\n Sponsored by the Deutsche Forschungsgemeinschaft (DFG)\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n<\/div>\n\n
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Painting and sculpture conservation<\/h3> <\/summary>\n \n\n
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\n Consortium for the Research of Artists\u2018 Materials Archives (CAMA)<\/span>\n <\/div>\n
\n Sponsored by the Deutsche Forschungsgemeinschaft (DFG)\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n \n
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\n Innovation or replacement?<\/span>\n <\/div>\n
\n Kunsttechnologische Forschungen zu neuen Materialien zwischen 1930 und 1955 am Beispiel Willi Baumeisters\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n \n
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\n A study of the Windberg Abbots\u2019 Gallery<\/span>\n <\/div>\n
\n Cooperation with the Bavarian State Office for the Preservation of Historical Monuments\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n \n
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\n\n \"\"\n\n\n<\/figure>\n\n\n <\/div>\n\n
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\n The influence of ancient encaustic painting on wax-painting techniques in easel painting of the late 19th and early 20th centuries <\/span>\n <\/div>\n
\n Doctorate project\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n \n
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\n Bl\u00fctezeit?!<\/span>\n <\/div>\n
\n Soziale Plastik \u201eBl\u00fctezeit?!\u201c von Enno Lehmann\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n \n
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\n Das Hufwunder des heiligen Eligius<\/span>\n <\/div>\n
\n Funded by the Hessische Ministerium f\u00fcr Wissenschaft und Kunst und dem Hessischen Museumsverband
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\n\n \"Two\n\n<\/figure>\n\n\n <\/div>\n\n
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\n Cracks filled with paint: damage or evidence of a particular painting technique?<\/span>\n <\/div>\n
\n Project on the impasto oil paintings of the French artist Eug\u00e8ne Leroy\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n \n
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\n\n \"Nahaufnahme\n\n<\/figure>\n\n\n <\/div>\n\n
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\n Water-sensitive surfaces in Classical Modernism: cleaning with water-based gels<\/span>\n <\/div>\n
\n Project work in collaboration with the F\u00f6rderverein Lenbachhaus e.V.\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n<\/div>\n\n\n<\/details>\n\n
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Media Conservation<\/h3> <\/summary>\n \n\n
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\n\n \"Yellow\n\n<\/figure>\n\n\n <\/div>\n\n
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\n Antikoloniale Kl\u00e4nge: Von R\u00e1dio Liberta\u00e7\u00e3o zum Nationalen Rundfunk von Guinea-Bissau<\/span>\n <\/div>\n
\n Kooperation im Rahmen der F\u00f6rderung des Kulturerhalt-Programms des Ausw\u00e4rtigen Amtes mit dem Nationalen Rundfunk von Guinea-Bissau\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n \n
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\n\n \"Eine\n\n<\/figure>\n\n\n <\/div>\n\n
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\n Sustainable Intelligent Management of Indoor Air Quality for the Culture and Creative Industries (SIMIACCI)<\/span>\n <\/div>\n
\n Internationales Kooperationsprojekt mit 15 Partnerinstitutionen aus ganz Europa, gef\u00f6rdert durch Horizon Europe\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n<\/div>\n\n\n<\/details>\n\n
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Objektrestaurierung<\/h3> <\/summary>\n \n\n
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\n Anti-Graffiti-Schutz von beschichteten und unbeschichteten Metalloberfl\u00e4chen im Au\u00dfenbereich<\/span>\n <\/div>\n
\n Gef\u00f6rdert durch die Deutsche Bundesstiftung Umwelt (DBU)\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n \n
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\n\n \"\"\n\n\n<\/figure>\n\n\n <\/div>\n\n
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\n Auf der Suche nach der Struktur<\/span>\n <\/div>\n
\n Hochaufl\u00f6sende R\u00f6ntgen-Pulverdiffraktometrie metallorganischer Salze in den Konservierungswissenschaften\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n \n
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\n\n \"\"\n\n\n<\/figure>\n\n\n <\/div>\n\n
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\n Glass-induced metal corrosion on cultural heritage objects<\/span>\n <\/div>\n
\n Gef\u00f6rdert durch die Deutsche Bundesstiftung Umwelt (DBU)\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n<\/div>\n\n\n<\/details>\n\n
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Paper Conservation<\/h3> <\/summary>\n \n\n
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\n Ammoniumcitrat \u2013 verbesserte Aufhellung von Papier?<\/span>\n <\/div>\n
\n Kooperation ABK Stuttgart, Canadian Conservation Institute Ottawa, SUNY Buffalo State University, Universit\u00e4t f\u00fcr Bodenkultur Wien\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n \n
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\n Prognose der durch optische Strahlung induzierten Sch\u00e4digung von wei\u00dfem Papier in der Kulturguterhaltung<\/span>\n <\/div>\n
\n Sponsored by the Deutsche Forschungsgemeinschaft (DFG)\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n \n
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\n\n \"\"\n\n\n<\/figure>\n\n\n <\/div>\n\n
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\n Bleichen in der Papierrestaurierung<\/span>\n <\/div>\n
\n Cooperation ABK Stuttgart, Universit\u00e4t f\u00fcr Bodenkultur Wien\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n \n
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\n\n \"\"\n\n\n<\/figure>\n\n\n <\/div>\n\n
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\n Buchst\u00fctzen f\u00fcr ge\u00f6ffnete B\u00fccher in Ausstellungen<\/span>\n <\/div>\n
\n Leitfaden fu\u0308r Restauratoren und Ausstellungsgestalter\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n \n
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\n\n \"\"\n\n\n<\/figure>\n\n\n <\/div>\n\n
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\n Giovanni Battista Piranesi und seine Werkstatt: Zwei neu identifizierte Alben in Karlsruhe<\/span>\n <\/div>\n
\n Sponsored by the Deutsche Forschungsgemeinschaft (DFG)\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n<\/div>\n\n\n<\/details>\n\n
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Wall Painting Conservation<\/h3> <\/summary>\n \n\n
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\n\n <\/a>\n \n
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\n\n \"A\n\n<\/figure>\n\n\n <\/div>\n\n
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\n Concept development for the preservation of the cycle of murals in the cloister of the Emmaus Monastery in Prague<\/span>\n <\/div>\n
\n Gef\u00f6rdert durch die Deutsche Bundesstiftung Umwelt (DBU)\n <\/div>\n \n <\/div>\n\n \n <\/div>\n\n \n<\/div>\n\n\n<\/details>\n","protected":false},"author":13,"featured_media":31403,"parent":0,"menu_order":28,"template":"","class_list":["post-44942","research","type-research","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/research\/44942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/research"}],"about":[{"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/types\/research"}],"author":[{"embeddable":true,"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/users\/13"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/media\/31403"}],"wp:attachment":[{"href":"https:\/\/www.abk-stuttgart.de\/en\/wp-json\/wp\/v2\/media?parent=44942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}